added newer version of XITS fonts (ed3d76219e)

This commit is contained in:
jkriege2 2018-12-06 21:49:28 +01:00
parent 08d51390b3
commit c1b7164b64
46 changed files with 11637 additions and 8604 deletions

View File

@ -1,10 +1,10 @@
<RCC>
<qresource prefix="/JKQTmathText/fonts">
<file alias="xits-bold.otf">xits/xits-bold.otf</file>
<file alias="xits-bolditalic.otf">xits/xits-bolditalic.otf</file>
<file alias="xits-italic.otf">xits/xits-italic.otf</file>
<file alias="xits-math.otf">xits/xits-math.otf</file>
<file alias="xits-mathbold.otf">xits/xits-mathbold.otf</file>
<file alias="xits-regular.otf">xits/xits-regular.otf</file>
<file alias="xits-bold.otf">xits/XITS-Bold.otf</file>
<file alias="xits-bolditalic.otf">xits/XITS-BoldItalic.otf</file>
<file alias="xits-italic.otf">xits/XITS-Italic.otf</file>
<file alias="xits-math.otf">xits/XITSMath-Regular.otf</file>
<file alias="xits-mathbold.otf">xits/XITSMath-Bold.otf</file>
<file alias="xits-regular.otf">xits/XITS-Regular.otf</file>
</qresource>
</RCC>

View File

@ -15,13 +15,14 @@ quality mathematic typesetting with OpenType MATH capable layout systems, like
MS Office 2007 and the new TeX engines XeTeX and LuaTeX.
XITS development is currently hosted on:
http://github.com/khaledhosny/xits-math
http://github.com/alif-type/xits
Feature requests, bug reports and patches should be directed to our issue
tracker.
XITS currently provides the following Unicode coverage:
%{XITS Math}
%{XITS Math Bold}
%{XITS}
%{XITS Bold}
%{XITS Italic}
@ -36,11 +37,29 @@ recommendations regarding why you would want to contribute to the project or
make your own version of the font.
See the project website for the current master and the various branches:
http://github.com/khaledhosny/xits-math
http://github.com/alif-type/xits
ChangeLog
----------
2 October 2018 (Khaled Hosny) <XITS> Version 1.200
- This is the final release with new features, from now only XITS is in
maintenance mode and only bug fixes will be made.
29 September 2018 (Khaled Hosny) <XITS> Version 1.109
- Improve Arabic math glyph considerably, they are much usable now.
- Add upright RTL integral alternates.
- Change cv01 feature for alternate Arabic math glyphs.
- Make the hhea ascent/descent/line gap match the OS/2 typo metrics.
- Dont set deprecated ForceBold in CFF Private dictionary.
- Fix script position with vertical bar on MS Word.
- Make vertical bar extensible in bold math font.
- Make MS Word linear fraction work better.
- Bundle WOFF fonts.
- Remove glyph overlap, some CFF rasterizers handle it badly.
- Fonts can be build with vanilla FontForge now.
- Builds are reproducible.
20 Jan 2014 (Khaled Hosny) <XITS> Version 1.108
- Add latn and dflt languages to math stylistic sets
- Add missing substitutions from ss05, ss06 and ss07 features
@ -196,7 +215,7 @@ order.)
N: Khaled Hosny
E: khaledhosny@eglug.org
W: http://www.khaledhosny.org
W: http://github.com/alif-type
D: Engineer - OpenType MATH code
N: STIX Fonts project

View File

@ -0,0 +1,58 @@
NAME=XITS
VERSION=1.200
SRC=sources
WEB=webfonts
TOOLS=tools
DIST=$(NAME)-$(VERSION)
DIST_CTAN=$(DIST)-CTAN
PY=python
MAKEFNT=$(TOOLS)/makefnt.py
MAKEWEB=$(TOOLS)/makeweb.py
COVERAGE=$(TOOLS)/fontcoverage.py
FONTS=$(NAME)Math-Regular $(NAME)Math-Bold \
$(NAME)-Regular $(NAME)-Bold $(NAME)-Italic $(NAME)-BoldItalic
SFD=$(FONTS:%=$(SRC)/%.sfd)
OTF=$(FONTS:%=%.otf)
WOF=$(FONTS:%=$(WEB)/%.woff)
all: otf
otf: $(OTF)
web: $(WOF)
%.otf: $(SRC)/%.sfd $(SRC)/%.fea
@echo "Building $@"
@$(PY) $(MAKEFNT) $< $@ --version=$(VERSION) --features=$(word 2,$+)
$(WEB)/%.woff: %.otf
@echo "Building $@"
@mkdir -p $(WEB)
@$(PY) $(MAKEWEB) $< $(WEB)
FONTLOG.txt: FONTLOG.txt.in $(COVERAGE) $(OTF)
@echo "Generating $@"
@$(PY) $(COVERAGE) tools/Blocks.txt $< $(OTF) $@
dist: dist-ctan $(OTF) $(WOF) FONTLOG.txt
@echo "Making dist tarball"
@mkdir -p $(DIST)/$(WEB)
@cp $(OTF) $(DIST)
@cp $(WOF) $(DIST)/$(WEB)
@cp -r OFL-FAQ.txt OFL.txt FONTLOG.txt $(DIST)
@cp README.md $(DIST)/README.txt
@zip -r $(DIST).zip $(DIST)
dist-ctan: $(OTF) FONTLOG.txt
@echo "Making CTAN dist tarball"
@mkdir -p $(DIST_CTAN)
@cp $(OTF) $(DIST_CTAN)
@cp -r OFL-FAQ.txt OFL.txt FONTLOG.txt $(DIST_CTAN)
@cp README.md $(DIST_CTAN)/README.txt
@zip -r $(DIST_CTAN).zip $(DIST_CTAN)
clean:
@rm -rf $(OTF) $(DIST) $(DIST).zip $(DIST_CTAN) $(DIST_CTAN).zip

View File

@ -1,369 +0,0 @@
OFL FAQ - Frequently Asked Questions about the SIL Open Font License (OFL)
Version 1.1-update2 - 23 August 2010
(See http://scripts.sil.org/OFL for updates)
CONTENTS OF THIS FAQ
1 USING AND DISTRIBUTING FONTS LICENSED UNDER THE OFL
2 USING OFL FONTS FOR WEB PAGES AND ONLINE WEBFONT SERVICES
3 MODIFYING OFL-LICENSED FONTS
4 LICENSING YOUR ORIGINAL FONTS UNDER THE OFL
5 CHOOSING RESERVED FONT NAMES
6 ABOUT THE FONTLOG
7 MAKING CONTRIBUTIONS TO OFL PROJECTS
8 ABOUT THE LICENSE ITSELF
9 ABOUT SIL INTERNATIONAL
APPENDIX A - FONTLOG EXAMPLE
1 USING AND DISTRIBUTING FONTS LICENSED UNDER THE OFL
1.1 Can I use the fonts for a book or other print publication?
Yes. You can mention the font and author in the book's colophon if you wish, but that is not required.
1.2 Can the fonts be included with Free/Libre and Open Source Software collections such as GNU/Linux and BSD distributions?
Yes! Fonts licensed under the OFL can be freely included alongside other software under FLOSS (Free/Libre and Open Source Software) licenses. Since fonts are typically aggregated with, not merged into, existing software, there is little need to be concerned about incompatibility with existing software licenses. You may also repackage the fonts and the accompanying components in a .rpm or .deb package and include them in distribution CD/DVDs and online repositories. (Also see section 5.9 about rebuilding from source.)
1.3 I want to distribute the fonts with my program. Does this mean my program also has to be Free/Libre and Open Source Software?
No. Only the portions based on the Font Software are required to be released under the OFL. The intent of the license is to allow aggregation or bundling with software under restricted licensing as well.
1.4 Can I sell a software package that includes these fonts?
Yes, you can do this with both the Original Version and a Modified Version of the fonts. Examples of bundling made possible by the OFL would include: word processors, design and publishing applications, training and educational software, games and entertainment software, mobile device applications, etc.
1.5 Can I include the fonts on a CD of freeware or commercial fonts?
Yes, as long some other font or software is also on the disk, so the OFL font is not sold by itself.
1.6 Why won't the OFL let me sell the fonts alone?
The intent is to keep people from making money by simply redistributing the fonts. The only people who ought to profit directly from the fonts should be the original authors, and those authors have kindly given up potential direct income to distribute their fonts under the OFL. Please honour and respect their contribution!
1.7 What about sharing OFL fonts with friends on a CD, DVD or USB stick?
You are very welcome to share open fonts with friends, family and colleagues through removable media. Just remember to include the full font package, including any copyright notices and licensing information as available in OFL.txt. In the case where you sell the font, it has to come bundled with software.
1.8 Can I host the fonts on a web site for others to use?
Yes, as long as you make the full font package available. In most cases it may be best to point users to the main site that distributes the Original Version so they always get the most recent stable and complete version. See also discussion of webfonts in Section 2.
1.9 Can I host the fonts on a server for use over our internal network?
Yes. If the fonts are transferred from the server to the client computer by means that allow them to be used even if the computer is no longer attached to the network, the full package (copyright notices, licensing information, etc.) should be included.
1.10 Does the full OFL license text always need to accompany the font?
The only situation in which an OFL font can be distributed without the text of the OFL (either in a separate file or in font metadata), is when a font is embedded in a document or bundled within a program. In the case of metadata included within a font, it is legally sufficient to include only a link to the text of the OFL on http://scripts.sil.org/OFL, but we strongly recommend against this. Most modern font formats include metadata fields that will accept the full OFL text, and full inclusion increases the likelihood that users will understand and properly apply the license.
1.11 What do you mean by 'embedding'? How does that differ from other means of distribution?
By 'embedding' we mean inclusion of the font in a document or file in a way that makes extraction (and redistribution) difficult or clearly discouraged. In many cases the names of embedded fonts might also not be obvious to those reading the document, the font data format might be altered, and only a subset of the font - only the glyphs required for the text - might be included. Any other means of delivering a font to another person is considered 'distribution', and needs to be accompanied by any copyright notices and licensing information available in OFL.txt.
1.12 So can I embed OFL fonts in my document?
Yes, either in full or a subset. The restrictions regarding font modification and redistribution do not apply, as the font is not intended for use outside the document.
1.13 Does embedding alter the license of the document itself?
No. Referencing or embedding an OFL font in any document does not change the license of the document itself. The requirement for fonts to remain under the OFL does not apply to any document created using the fonts and their derivatives. Similarly, creating any kind of graphic using a font under OFL does not make the resulting artwork subject to the OFL.
1.14 If OFL fonts are extracted from a document in which they are embedded (such as a PDF file), what can be done with them? Is this a risk to author(s)?
The few utilities that can extract fonts embedded in a PDF will typically output limited amounts of outlines - not a complete font. To create a working font from this method is much more difficult and time consuming than finding the source of the original OFL font. So there is little chance that an OFL font would be extracted and redistributed inappropriately through this method. Even so, copyright laws address any misrepresentation of authorship. All Font Software released under the OFL and marked as such by the author(s) is intended to remain under this license regardless of the distribution method, and cannot be redistributed under any other license. We strongly discourage any font extraction - we recommend directly using the font sources instead - but if you extract font outlines from a document, please be considerate: use your common sense and respect the work of the author(s) and the licensing model.
1.15 What about distributing fonts with a document? Within a compressed folder structure? Is it distribution, bundling or embedding?
Certain document formats may allow the inclusion of an unmodified font within their file structure which consists of a compressed folder containing the various resources forming the document (such as pictures and thumbnails). Including fonts within such a structure is understood as being different from embedding but rather similar to bundling (or mere aggregation) which the license explicitly allows. In this case the font is conveyed unchanged whereas embedding a font usually transforms it from the original format. The OFL does not allow anyone to extract the font from such a structure to then redistribute it under another license. The explicit permission to redistribute and embed does not cancel the requirement for the Font Software to remain under the license chosen by its author(s).
1.16 What about ebooks shipping with open fonts?
The requirements differ depending on whether the fonts are linked, embedded or distributed (bundled or aggregated). Some ebook formats use web technologies to do font linking via @font-face, others are designed for font embedding, some use fonts distributed with the document or reading software, and a few rely solely on the fonts already present on the target system. The license requirements depend on the type of inclusion as discussed in 1.15.
1.17 Can Font Software released under the OFL be subject to URL-based access restrictions methods or DRM (Digital Rights Management) mechanisms?
Yes, but these issues are out-of-scope for the OFL. The license itself neither encourages their use nor prohibits them since such mechanisms are not implemented in the components of the Font Software but through external software. Such restrictions are put in place for many different purposes corresponding to various usage scenarios. One common example is to limit potentially dangerous cross-site scripting attacks. However, in the spirit of libre/open fonts and unrestricted writing systems, we strongly encourage open sharing and reuse of OFL fonts, and the establishment of an environment where such restrictions are unnecessary. Note that whether you wish to use such mechanisms or you prefer not to, you must still abide by the rules set forth by the OFL when using fonts released by their authors under this license. Derivative fonts must be licensed under the OFL, even if they are part of a service for which you charge fees and/or for which access to source code is restricted. You may not sell the fonts on their own - they must be part of a larger software package, bundle or subscription plan. For example, even if the OFL font is distributed in a software package or via an online service using a DRM mechanism, the user would still have the right to extract that font, use, study, modify and redistribute it under the OFL.
1.18 I've come across a font released under the OFL. How can I easily get more information about the Original Version? How can I know where it stands compared to the Original Version or other Modified Versions?
Consult the copyright statement(s) in the license for ways to contact the original authors. Consult the FONTLOG for information on how the font differs from the Original Version, and get in touch with the various contributors via the information in the acknowledgement section. Please consider using the Original Versions of the fonts whenever possible.
1.19 What do you mean in condition 4? Can you provide examples of abusive promotion / endorsement / advertisement vs. normal acknowledgement?
The intent is that the goodwill and reputation of the author(s) should not be used in a way that makes it sound like the original author(s) endorse or approve of a specific Modified Version or software bundle. For example, it would not be right to advertise a word processor by naming the author(s) in a listing of software features, or to promote a Modified Version on a web site by saying "designed by ...". However, it would be appropriate to acknowledge the author(s) if your software package has a list of people who deserve thanks. We realize that this can seem to be a grey area, but the standard used to judge an acknowledgement is that if the acknowledgement benefits the author(s) it is allowed, but if it primarily benefits other parties, or could reflect poorly on the author(s), then it is not.
2 USING OFL FONTS FOR WEBPAGES AND ONLINE WEBFONT SERVICES
2.1 Can I make webpages using these fonts?
Yes! Go ahead! Using CSS (Cascading Style Sheets) is recommended. Your three best options:
- referring directly in your stylesheet to open fonts which may be available on the user's system
- providing links to download the full package of the font - either from your own website or from elsewhere - so users can install it themselves
- using @font-face to distribute the font directly to browsers. This is recommended and explicitly allowed by the licensing model because it is distribution. The font file itself is distributed with other components of the webpage. It is not embedded in the webpage but referenced through a web address which will cause the browser to retrieve and use the corresponding font to render the webpage (see 1.11 and 1.15 for details related to embedding fonts into documents). As you take advantage of the @font-face cross-platform standard, be aware that webfonts are often tuned for a web environment and not intended for installation and use outside a browser. The reasons in favour of using webfonts are to allow design of dynamic text elements instead of static graphics, to make it easier for content to be localized and translated, indexed and searched, and all this with cross-platform open standards without depending on restricted extensions or plugins. You should check the CSS cascade (the order in which fonts are being called or delivered to your users) when testing.
2.2 Can I make and use WOFF (Web Open Font Format) versions of OFL fonts?
Yes, but you need to be careful. A change in font format normally is considered modification, and Reserved Font Names (RFNs) cannot be used. Because of the design of the WOFF format, however, it is possible to create a WOFF version that is not considered modification, and so would not require a name change. You are allowed to create, use and distribute a WOFF version of an OFL font without changing the font name, but only if:
- the original font data remains unchanged except for WOFF compression, and
- WOFF-specific metadata is either omitted altogether or present and includes, unaltered, the contents of all equivalent metadata in the original font.
If the original font data or metadata is changed, or the WOFF-specific metadata is incomplete, the font must be considered a Modified Version, the OFL restrictions would apply and the name of the font must be changed: any RFNs cannot be used and copyright notices and licensing information must be included and cannot be deleted or modified. You must come up with a unique name - we recommend one corresponding to your domain or your particular web application. Be aware that only the original author(s) can use RFNs. This is to prevent collisions between a derivative tuned to your audience and the original upstream version and so to reduce confusion.
Please note that most WOFF conversion tools and online services do not meet the two requirements listed above, and so their output must be considered a Modified Version. So be very careful and check to be sure that the tool or service you're using is compressing unchanged data and completely and accurately reflecting the original font metadata.
2.3 What about other webfont formats such as EOT/EOTLite/CWT/etc.?
In most cases these formats alter the original font data more than WOFF, and do not completely support appropriate metadata, so their use must be considered modification and RFNs may not be used.
2.4 Can I make OFL fonts available through webfont online services?
Yes, you are welcome to include OFL fonts in online webfont services as long as you properly meet all the conditions of the license. The origin and open status of the font should be clear among the other fonts you are hosting. Authorship, copyright notices and license information must be sufficiently visible to your users or subscribers so they know where the font comes from and the rights granted by the author(s). Make sure the font file contains the needed copyright notice(s) and licensing information in its metadata. Please double-check the accuracy of every field to prevent contradictory information. Other font formats, including EOT/EOTLite/CWT and superior alternatives like WOFF, already provide fields for this information. Remember that if you modify the font within your library or convert it to another format for any reason the OFL restrictions apply and you need to change the names accordingly. Please respect the author's wishes as expressed in the OFL and do not misrepresent original designers and their work. Don't lump quality open fonts together with dubious freeware or public domain fonts. Consider how you can best work with the original designers and foundries, support their efforts and generate goodwill that will benefit your service. (See 1.17 for details related to URL-based access restrictions methods or DRM mechanisms).
2.5 Can I make and publish CMS themes or templates that use OFL fonts? Can I include the fonts themselves in the themes or templates? Can I sell the whole package?
Yes, you are very welcome to integrate open fonts into themes and templates for your preferred CMS and make them more widely available. Be aware that you can only sell the fonts and your CMS add-on as part of a software bundle. (See 1.4 for details and examples about selling bundles).
2.6 Some webfont formats and services provide ways of "optimising" the font for a particular website or web application; is that allowed?
Yes, it is permitted, but remember that these optimised versions are Modified Versions and so must follow OFL requirements like appropriate renaming. Also you need to bear in mind the other important parameters beyond compression, speed and responsiveness: you need to consider the audience of your particular website or web application, as choosing some optimisation parameters may turn out to be less than ideal for them. Subsetting by removing certain glyphs or features may seriously limit functionality of the font in various languages used by your users. It may also introduce degradation of quality in the rendering or specific bugs on the various platforms compared to the original font. In other words, remember that one person's optimised font may be another person's missing feature. Various advanced typographic features are also available through CSS and may provide the desired effects without the need to modify the font.
3 MODIFYING OFL-LICENSED FONTS
3.1 Can I change the fonts? Are there any limitations to what things I can and cannot change?
You are allowed to change anything, as long as such changes do not violate the terms of the license. In other words, you are not allowed to remove the copyright statement(s) from the font, but you could put additional information into it that covers your contribution.
3.2 I have a font that needs a few extra glyphs - can I take them from an OFL licensed font and copy them into mine?
Yes, but if you distribute that font to others it must be under the OFL, and include the information mentioned in condition 2 of the license.
3.3 Can I charge people for my additional work? In other words, if I add a bunch of special glyphs and/or OpenType/Graphite code, can I sell the enhanced font?
Not by itself. Derivative fonts must be released under the OFL and cannot be sold by themselves. It is permitted, however, to include them in a larger software package (such as text editors, office suites or operating systems), even if the larger package is sold. In that case, you are strongly encouraged, but not required, to also make that derived font easily and freely available outside of the larger package.
3.4 Can I pay someone to enhance the fonts for my use and distribution?
Yes. This is a good way to fund the further development of the fonts. Keep in mind, however, that if the font is distributed to others it must be under the OFL. You won't be able to recover your investment by exclusively selling the font, but you will be making a valuable contribution to the community. Please remember how you have benefited from the contributions of others.
3.5 I need to make substantial revisions to the font to make it work with my program. It will be a lot of work, and a big investment, and I want to be sure that it can only be distributed with my program. Can I restrict its use?
No. If you redistribute a Modified Version of the font it must be under the OFL. You may not restrict it in any way beyond what the OFL permits and requires. This is intended to ensure that all released improvements to the fonts become available to everyone. But you will likely get an edge over competitors by being the first to distribute a bundle with the enhancements. Again, please remember how you have benefited from the contributions of others.
3.6 Do I have to make any derivative fonts (including extended source files, build scripts, documentation, etc.) publicly available?
No, but please consider sharing your improvements with others. You may find that you receive in return more than what you gave.
3.7 If a trademark is claimed in the OFL font, does that trademark need to remain in modified fonts?
Yes, any trademark notices must remain in any derivative fonts to respect trademark laws, but you may add any additional trademarks you claim, officially registered or not. For example if an OFL font called "Foo" contains a notice that "Foo is a trademark of Acme", then if you rename the font to "Bar" when creating a Modified Version, the new trademark notice could say "Foo is a trademark of Acme Inc. - Bar is a trademark of Roadrunner Technologies Ltd.". Trademarks work alongside the OFL and are not subject to the terms of the licensing agreement. Please refer to the appropriate trademark laws.
4 LICENSING YOUR ORIGINAL FONTS UNDER THE OFL
4.1 Can I use the SIL OFL for my own fonts?
Yes! We heartily encourage everyone to use the OFL to distribute their own original fonts. It is a carefully constructed license that allows great freedom along with enough artistic integrity protection for the work of the authors as well as clear rules for other contributors and those who redistribute the fonts. The licensing model is used successfully by various organisations, both for-profit and not-for-profit, to release fonts of varying levels of scope and complexity.
4.2 What do I have to do to apply the OFL to my font?
If you want to release your fonts under the OFL, we recommend you do the following:
4.2.1 Put your copyright and Reserved Font Names information at the beginning of the main OFL.txt file in place of the dedicated placeholders. Include this file in your release package.
4.2.2 Put your copyright and the OFL text with Reserved Font Names into your font files (the copyright and license fields). A link to the OFL text on the OFL web site is an acceptable (but not recommended) alternative. Also add this information to any other components (build scripts, glyph databases, documentation, test files, etc). Depending on the format of your fonts and sources, you can use template human-readable headers or machine-readable metadata.
4.2.3 Write an initial FONTLOG.txt for your font and include it in the release package.
4.2.4 Include the relevant practical documentation on the license by including the OFL-FAQ.txt in your package.
4.3 Will you make my font OFL for me?
We won't do the work for you. We can, however, try to answer your questions, unfortunately we do not have the resources to review and check your font packages for correct use of the OFL.
4.4 Will you distribute my OFL font for me?
No, although if the font is of sufficient quality and general interest we may include a link to it on our partial list of OFL fonts on the OFL web site. You may wish to consider other open font catalogs or hosting services, such as the Unifont Font Guide (http://unifont.org/fontguide), The League of Movable Type (http://theleagueofmovabletype.com), Kernest (http://kernest.com/) or the Open Font Library (http://openfontlibrary.org/), which despite the name has no direct relationship to the OFL or SIL. We do not endorse any particular catalog or hosting service - it is your responsibility to determine if the service is right for you.
4.5 Why should I use the OFL for my fonts?
- to meet needs for fonts that can be modified to support minority languages
- to provide a legal and clear way for people to respect your work but still use it (and reduce piracy)
- to involve others in your font project
- to enable your fonts to be expanded with new weights and improved writing system/language support
- to allow more technical font developers to add features to your design (such as OpenType and Graphite support)
- to renew the life of an old font lying on your hard drive with no business model
- to allow your font to be included in Libre Software operating systems like Ubuntu
- to give your font world status and wide, unrestricted distribution
- to educate students about quality typeface and font design
- to expand your test base and get more useful feedback
- to extend your reach to new markets when users see your metadata and go to your website
- to get your font more easily into one of the webfont online services
- to attract attention for your commercial fonts
- to make money through webfont services
- to make money by bundling fonts with applications
- to make money adjusting and extending existing open fonts
- to get a better chance that foundations/NGOs/charities/companies who commission fonts will pick you
- to be part of a sharing design and development community
- to give back and contribute to a growing body of font sources
5 CHOOSING RESERVED FONT NAMES
5.1 What are Reserved Font Names?
These are font names, or portions of font names, that the author has chosen to reserve for use only with the Original Version of the font, or for Modified Version(s) created by the original author.
5.2 Why can't I use the Reserved Font Names in my derivative font names? I'd like people to know where the design came from.
The best way to acknowledge the source of the design is to thank the original authors and any other contributors in the files that are distributed with your revised font (although no acknowledgement is required). The FONTLOG is a natural place to do this. Reserved Font Names ensure that the only fonts that have the original names are the unmodified Original Versions. This allows designers to maintain artistic integrity while allowing collaboration to happen. It eliminates potential confusion and name conflicts. When choosing a name, be creative and avoid names that reuse almost all the same letters in the same order or sound like the original. It will help everyone if Original Versions and Modified Versions can easily be distinguished from one another and from other derivatives. Any substitution and matching mechanism is outside the scope of the license.
5.3 What do you mean by "primary name as presented to the user"? Are you referring to the font menu name?
Yes, this applies to the font menu name and other mechanisms that specify a font in a document. It would be fine, however, to keep a text reference to the original fonts in the description field, in your modified source file or in documentation provided alongside your derivative as long as no one could be confused that your modified source is the original. But you cannot use the Reserved Font Names in any way to identify the font to the user (unless the Copyright Holder(s) allow(s) it through a separate agreement). Users who install derivatives (Modified Versions) on their systems should not see any of the original Reserved Font Names in their font menus, for example. Again, this is to ensure that users are not confused and do not mistake one font for another and so expect features only another derivative or the Original Version can actually offer.
5.4 Am I not allowed to use any part of the Reserved Font Names?
You may not use individual words from the Reserved Font Names, but you would be allowed to use parts of words, as long as you do not use any word from the Reserved Font Names entirely. We do not recommend using parts of words because of potential confusion, but it is allowed. For example, if "Foobar" was a Reserved Font Name, you would be allowed to use "Foo" or "bar", although we would not recommend it. Such an unfortunate choice would confuse the users of your fonts as well as make it harder for other designers to contribute.
5.5 So what should I, as an author, identify as Reserved Font Names?
Original authors are encouraged to name their fonts using clear, distinct names, and only declare the unique parts of the name as Reserved Font Names. For example, the author of a font called "Foobar Sans" would declare "Foobar" as a Reserved Font Name, but not "Sans", as that is a common typographical term, and may be a useful word to use in a derivative font name. Reserved Font Names should also be single words. A font called "Flowing River" should have Reserved Font Names "Flowing" and "River", not "Flowing River". You also need to be very careful about reserving font names which are already linked to trademarks (whether registered or not) which you do not own.
5.6 Do I, as an author, have to identify any Reserved Font Names?
No, but we strongly encourage you to do so. This is to avoid confusion between your work and Modified Versions.
5.7 Are any names (such as the main font name) reserved by default?
No. That is a change to the license as of version 1.1. If you want any names to be Reserved Font Names, they must be specified after the copyright statement(s).
5.8 Is there any situation in which I can use Reserved Font Names for a Modified Version?
The Copyright Holder(s) can give certain trusted parties the right to use any of the Reserved Font Names through separate written agreements. For example, even if "Foobar" is a RFN, you could write up an agreement to give company "XYZ" the right to distribute a modified version with a name that includes "Foobar". This allows for freedom without confusion.
5.9 Do font rebuilds require a name change? Do I have to change the name of the font when my packaging workflow includes a full rebuild from source?
Yes, all rebuilds which change the font data and the smart code are Modified Versions and the requirements of the OFL apply: you need to respect what the Author(s) have chosen in terms of Reserved Font Names. However if a package (or installer) is simply a wrapper or a compressed structure around the final font - leaving them intact on the inside - then no name change is required. Please get in touch with the author(s) and copyright holder(s) to inquire about the presence of font sources beyond the final font file(s) and the recommended build path. That build path may very well be non-trivial and hard to reproduce accurately by the maintainer. If a full font build path is made available by the upstream author(s) please be aware that any regressions and changes you may introduce when doing a rebuild for packaging purposes is your responsibility as a package maintainer since you are effectively creating a separate branch. You should make it very clear to your users that your rebuilt version is not the canonical one from upstream.
5.10 Can I add other Reserved Font Names when making a derivative font?
Yes. List your additional Reserved Font Names after your additional copyright statement, as indicated with example placeholders at the top of the OFL.txt file. Be sure you do not remove any exiting RFNs but only add your own.
6 ABOUT THE FONTLOG
6.1 What is this FONTLOG thing exactly?
It has three purposes: 1) to provide basic information on the font to users and other developers, 2) to document changes that have been made to the font or accompanying files, either by the original authors or others, and 3) to provide a place to acknowledge authors and other contributors. Please use it!
6.2 Is the FONTLOG required?
It is not a requirement of the license, but we strongly recommend you have one.
6.3 Am I required to update the FONTLOG when making Modified Versions?
No, but users, designers and other developers might get very frustrated with you if you don't. People need to know how derivative fonts differ from the original, and how to take advantage of the changes, or build on them. There are utilities that can help create and maintain a FONTLOG, such as the FONTLOG support in FontForge.
6.4 What should the FONTLOG look like?
It is typically a separate text file (FONTLOG.txt), but can take other formats. It commonly includes these four sections:
- brief header describing the FONTLOG itself and name of the font family
- Basic Font Information - description of the font family, purpose and breadth
- ChangeLog - chronological listing of changes
- Acknowledgements - list of authors and contributors with contact information
It could also include other sections, such as: where to find documentation, how to make contributions, information on contributing organizations, source code details, and a short design guide. See Appendix A for an example FONTLOG.
7 MAKING CONTRIBUTIONS TO OFL PROJECTS
7.1 Can I contribute work to OFL projects?
In many cases, yes. It is common for OFL fonts to be developed by a team of people who welcome contributions from the wider community. Contact the original authors for specific information on how to participate in their projects.
7.2 Why should I contribute my changes back to the original authors?
It would benefit many people if you contributed back in response to what you've received. Your contributions and improvements to the fonts and other components could be a tremendous help and would encourage others to contribute as well and 'give back'. You will then benefit from other people's contributions as well. Sometimes maintaining your own separate version takes more effort than merging back with the original. Be aware that any contributions, however, must be either your own original creation or work that you own, and you may be asked to affirm that clearly when you contribute.
7.3 I've made some very nice improvements to the font. Will you consider adopting them and putting them into future Original Versions?
Most authors would be very happy to receive such contributions. Keep in mind that it is unlikely that they would want to incorporate major changes that would require additional work on their end. Any contributions would likely need to be made for all the fonts in a family and match the overall design and style. Authors are encouraged to include a guide to the design with the fonts. It would also help to have contributions submitted as patches or clearly marked changes - the use of smart source revision control systems like subversion, svk, mercurial, git or bzr is a good idea. Please follow the recommendations given by the author(s) in terms of preferred source formats and configuration parameters for sending contributions. If this is not indicated in a FONTLOG or other documentation of the font, consider asking them directly. Examples of useful contributions are bug fixes, additional glyphs, stylistic alternates (and the smart font code to access them) or improved hinting. Keep in mind that some kinds of changes (esp. hinting) may be technically difficult to integrate.
7.4 How can I financially support the development of OFL fonts?
It is likely that most authors of OFL fonts would accept financial contributions - contact them for instructions on how to do this. Such contributions would support future development. You can also pay for others to enhance the fonts and contribute the results back to the original authors for inclusion in the Original Version.
8 ABOUT THE LICENSE ITSELF
8.1 I see that this is version 1.1 of the license. Will there be later changes?
Version 1.1 is the first minor revision of the OFL. We are confident that version 1.1 will meet most needs, but are open to future improvements. Any revisions would be for future font releases, and previously existing licenses would remain in effect. No retroactive changes are possible, although the Copyright Holder(s) can re-release the font under a revised OFL. All versions will be available on our web site: http://scripts.sil.org/OFL.
8.2 Does this license restrict the rights of the Copyright Holder(s)?
No. The Copyright Holder(s) still retain(s) all the rights to their creation; they are only releasing a portion of it for use in a specific way. For example, the Copyright Holder(s) may choose to release a 'basic' version of their font under the OFL, but sell a restricted 'enhanced' version. Only the Copyright Holder(s) can do this.
8.3 Is the OFL a contract or a license?
The OFL is a license and not a contract and so does not require you to sign it to have legal validity. By using, modifying and redistributing components under the OFL you indicate that you accept the license.
8.4 I really like the terms of the OFL, but want to change it a little. Am I allowed to take ideas and actual wording from the OFL and put them into my own custom license for distributing my fonts?
We strongly recommend against creating your very own unique open licensing model. Using a modified or derivative license will likely cut you off - along with the font(s) under that license - from the community of designers using the OFL, potentially expose you and your users to legal liabilities, and possibly put your work and rights at risk. The OFL went though a community and legal review process that took years of effort, and that review is only applicable to an unmodified OFL. The text of the OFL has been written by SIL (with review and consultation from the community) and is copyright (c) 2005-2010 SIL International. You may re-use the ideas and wording (in part, not in whole) in another non-proprietary license provided that you call your license by another unambiguous name, that you do not use the preamble, that you do not mention SIL and that you clearly present your license as different from the OFL so as not to cause confusion by being too similar to the original. If you feel the OFL does not meet your needs for an open license, please contact us.
8.5 Can I translate the license and the FAQ into other languages?
SIL certainly recognises the need for people who are not familiar with English to be able to understand the OFL and its use. Making the license very clear and readable has been a key goal for the OFL, but we know that people understand their own language best.
If you are an experienced translator, you are very welcome to translate the OFL and OFL-FAQ so that designers and users in your language community can understand the license better. But only the original English version of the license has legal value and has been approved by the community. Translations do not count as legal substitutes and should only serve as a way to explain the original license. SIL - as the author and steward of the license for the community at large - does not approve any translation of the OFL as legally valid because even small translation ambiguities could be abused and create problems.
SIL gives permission to publish unofficial translations into other languages provided that they comply with the following guidelines:
- Put the following disclaimer in both English and the target language stating clearly that the translation is unofficial:
"This is an unofficial translation of the SIL Open Font License into <language_name>. It was not published by SIL International, and does not legally state the distribution terms for fonts that use the OFL. A release under the OFL is only valid when using the original English text. However, we recognize that this unofficial translation will help users and designers not familiar with English to better understand and use the OFL. We encourage designers who consider releasing their creation under the OFL to read the OFL-FAQ in their own language if it is available. Please go to http://scripts.sil.org/OFL for the official version of the license and the accompanying OFL-FAQ."
- Keep your unofficial translation current and update it at our request if needed, for example if there is any ambiguity which could lead to confusion.
If you start such a unofficial translation effort of the OFL and OFL-FAQ please let us know.
9 ABOUT SIL INTERNATIONAL
9.1 Who is SIL International and what do they do?
SIL serves language communities worldwide, building their capacity for sustainable language development, by means of research, translation, training and materials development. SIL makes its services available to all without regard to religious belief, political ideology, gender, race, or ethnic background. SIL's members and volunteers share a Christian commitment.
9.2 What does this have to do with font licensing?
The ability to read, write, type and publish in one's own language is one of the most critical needs for millions of people around the world. This requires fonts that are widely available and support lesser-known languages. SIL develops - and encourages others to develop - a complete stack of writing systems implementation components available under open licenses. This open stack includes input methods, smart fonts, smart rendering libraries and smart applications. There has been a need for a common open license that is specifically applicable to fonts and related software (a crucial component of this stack), so SIL developed the SIL Open Font License with the help of the Free/Libre and Open Source Software community.
9.3 How can I contact SIL?
Our main web site is: http://www.sil.org/
Our site about complex scripts is: http://scripts.sil.org/
Information about this license (and contact information) is at: http://scripts.sil.org/OFL
APPENDIX A - FONTLOG EXAMPLE
Here is an example of the recommended format for a FONTLOG, although other formats are allowed.
-----
FONTLOG for the GlobalFontFamily fonts
This file provides detailed information on the GlobalFontFamily Font Software. This information should be distributed along with the GlobalFontFamily fonts and any derivative works.
Basic Font Information
GlobalFontFamily is a Unicode typeface family that supports all languages that use the Latin script and its variants, and could be expanded to support other scripts.
NewWorldFontFamily is based on the GlobalFontFamily and also supports Greek, Hebrew, Cyrillic and Armenian.
More specifically, this release supports the following Unicode ranges...
This release contains...
Documentation can be found at...
To contribute to the project...
ChangeLog
1 August 2008 (Tom Parker) GlobalFontFamily version 1.2.1
- Tweaked the smart font code (Branch merged with trunk version)
- Provided improved build and debugging environment for smart behaviours
7 February 2007 (Pat Johnson) NewWorldFontFamily Version 1.3
- Added Greek and Cyrillic glyphs
7 March 2006 (Fred Foobar) NewWorldFontFamily Version 1.2
- Tweaked contextual behaviours
1 Feb 2005 (Jane Doe) NewWorldFontFamily Version 1.1
- Improved build script performance and verbosity
- Extended the smart code documentation
- Corrected minor typos in the documentation
- Fixed position of combining inverted breve below (U+032F)
- Added OpenType/Graphite smart code for Armenian
- Added Armenian glyphs (U+0531 -> U+0587)
- Released as "NewWorldFontFamily"
1 Jan 2005 (Joe Smith) GlobalFontFamily Version 1.0
- Initial release
Acknowledgements
If you make modifications be sure to add your name (N), email (E), web-address (if you have one) (W) and description (D). This list is in alphabetical order.
N: Jane Doe
E: jane@university.edu
W: http://art.university.edu/projects/fonts
D: Contributor - Armenian glyphs and code
N: Fred Foobar
E: fred@foobar.org
W: http://foobar.org
D: Contributor - misc Graphite fixes
N: Pat Johnson
E: pat@fontstudio.org
W: http://pat.fontstudio.org
D: Designer - Greek & Cyrillic glyphs based on Roman design
N: Tom Parker
E: tom@company.com
W: http://www.company.com/tom/projects/fonts
D: Engineer - original smart font code
N: Joe Smith
E: joe@fontstudio.org
W: http://joe.fontstudio.org
D: Designer - original Roman glyphs
Fontstudio.org is an not-for-profit design group whose purpose is...
Foobar.org is a distributed community of developers...
Company.com is a small business who likes to support community designers...
University.edu is a renowed educational institution with a strong design department...
-----

View File

@ -1,37 +1,31 @@
The XITS font project
======================
XITS is a Times-like typeface for mathematical and scientific publishing,
based on [STIX fonts][1]. The main mission of XITS is to provide a
version of STIX fonts enriched with the OpenType MATH extension, making
it suitable for high quality mathematic typesetting with OpenType MATH
capable layout systems, like MS Office 2007 and the new TeX engines
XeTeX and LuaTeX.
XITS is a Times-like typeface for mathematical and scientific publishing, based
on [STIX fonts][1]. The main mission of XITS is to provide a version of STIX
fonts enriched with the OpenType MATH extension, making it suitable for high
quality mathematic typesetting with OpenType MATH capable layout systems, like
MS Office 2007 and the new TeX engines XeTeX and LuaTeX.
XITS font is free, open source font, under [Open Font License][2],
version 1.1.
XITS font is free, open source font, under [Open Font License][2], version 1.1.
The current version of XITS is based on version 1.1.0-beta1 of STIX fonts.
This is work in progress, feedback, bug reports and even patches are
welcomed.
This is work in progress, feedback, bug reports and even patches are welcomed.
Developers
----------
Contributing
------------
The preferred way for modifying the fonts is by editing the SFD files under
`sources`, using [Sorts Mill Tools][3] or [FontForge][4]. When submitting
patches, please make sure they are as clean as possible, avoiding any unrelated
or unnecessary changes.
`sources` directory in the [source repository][5], using [FontForge][3]. When
submitting patches, please make sure they are as clean as possible, avoiding
any unrelated or unnecessary changes.
To build the fonts from source you need a make program (only GNU Make is
tested), either [Sorts Mill Tools][3] (preferred) or [FontForge][4] with Python
support, and [FontTools][5].
To build the fonts from source you need GNU Make, [FontForge][3] Python module,
and [FontTools][4].
[1]: http://www.stixfonts.org
[2]: http://scripts.sil.org/OFL
[3]: http://sortsmill.bitbucket.org/
[4]: http://fontforge.org/
[5]: http://github.com/behdad/fonttools
[1]: https://www.stixfonts.org
[2]: https://scripts.sil.org/OFL
[3]: https://fontforge.github.io
[4]: https://github.com/fonttools/fonttools
[5]: https://github.com/alif-type/xits

View File

@ -70,11 +70,11 @@ x = {-b \pm \sqrt{b^2 - 4ac} \over 2a}
\stopformula
\startformula
\sin 18^\circ = {1\over 4} (\sqrt{5}-1)
\sin 18\textdegree = {1\over 4} (\sqrt{5}-1)
\stopformula
\startformula
k=1.38 \times 10^{-16}\,\rm erg/^\circ K
k=1.38 \times 10^{-16}\,\rm erg/\textdegree K
\stopformula
\startformula

View File

@ -0,0 +1,2 @@
include (xits.fea)
include (frac.fea)

View File

@ -5,12 +5,12 @@ FamilyName: XITS
Weight: Bold
Copyright: Copyright (c) 2001-2011 by the STI Pub Companies, consisting of the American Chemical Society, the American Institute of Physics, the American Mathematical Society, the American Physical Society, Elsevier, Inc., and The Institute of Electrical and Electronic Engineers, Inc. Portions copyright (c) 1998-2003 by MicroPress, Inc. Portions copyright (c) 1990 by Elsevier, Inc. Portions copyright (c) 2009-2011 by Khaled Hosny. All rights reserved.
Version: $version
DefaultBaseFilename: xits-bold
ItalicAngle: 0
UnderlinePosition: -50
UnderlineWidth: 50
Ascent: 750
Descent: 250
InvalidEm: 0
LayerCount: 2
Layer: 0 0 "Back" 1
Layer: 1 0 "Fore" 0
@ -49,11 +49,13 @@ OS2SupXOff: 0
OS2SupYOff: 500
OS2StrikeYSize: 50
OS2StrikeYPos: 313
OS2Vendor: 'STIX'
OS2CapHeight: 676
OS2XHeight: 461
OS2Vendor: 'ALIF'
Lookup: 258 0 0 "'kern' Horizontal Kerning in Latin lookup 0" { "'kern' Horizontal Kerning in Latin lookup 0 subtable" } ['kern' ('DFLT' <'dflt' > 'latn' <'dflt' > ) ]
MarkAttachClasses: 1
DEI: 91125
LangName: 1033 "" "" "" "" "" "" "" "STIX Fonts(TM) is a trademark of The Institute of Electrical and Electronics Engineers, Inc." "" "MicroPress Inc., with final additions and corrections provided by Coen Hoffman, Elsevier (retired)" "Arie de Ruiter, who in 1995 was Head of Information Technology Development at Elsevier Science, made a proposal to the STI Pub group, an informal group of publishers consisting of representatives from the American Chemical Society (ACS), American Institute of Physics (AIP), American Mathematical Society (AMS), American Physical Society (APS), Elsevier, and Institute of Electrical and Electronics Engineers (IEEE). De Ruiter encouraged the members to consider development of a series of Web fonts, which he proposed should be called the Scientific and Technical Information eXchange, or STIX, Fonts. All STI Pub member organizations enthusiastically endorsed this proposal, and the STI Pub group agreed to embark on what has become a twelve-year project. The goal of the project was to identify all alphabetic, symbolic, and other special characters used in any facet of scientific publishing and to create a set of Unicode-based fonts that would be distributed free to every scientist, student, and other interested party worldwide. The fonts would be consistent with the emerging Unicode standard, and would permit universal representation of every character. With the release of the STIX fonts, de Ruiter's vision has been realized." "http://www.stixfonts.org" "http://www.micropress-inc.com" "As a condition for receiving these fonts at no charge, each person downloading the fonts must agree to some simple license terms. The license is based on the SIL Open Font License <http://scripts.sil.org/cms/scripts/page.php?site_id+AD0A-nrsi&id+AD0A-OFL>. The SIL License is a free and open source license specifically designed for fonts and related software. The basic terms are that the recipient will not remove the copyright and trademark statements from the fonts and that, if the person decides to create a derivative work based on the STIX Fonts but incorporating some changes or enhancements, the derivative work (+ACIA-Modified Version+ACIA) will carry a different name. The copyright and trademark restrictions are part of the agreement between the STI Pub companies and the typeface designer. The +ACIA-renaming+ACIA restriction results from the desire of the STI Pub companies to assure that the STIX Fonts will continue to function in a predictable fashion for all that use them. No copy of one or more of the individual Font typefaces that form the STIX Fonts(TM) set may be sold by itself, but other than this one restriction, licensees are free to sell the fonts either separately or as part of a package that combines other software or fonts with this font set." "http://www.stixfonts.org/user_license.html"
LangName: 1033 "" "" "" "" "" "" "" "STIX Fonts(TM) is a trademark of The Institute of Electrical and Electronics Engineers, Inc." "" "MicroPress Inc., with final additions and corrections provided by Coen Hoffman, Elsevier (retired)" "Arie de Ruiter, who in 1995 was Head of Information Technology Development at Elsevier Science, made a proposal to the STI Pub group, an informal group of publishers consisting of representatives from the American Chemical Society (ACS), American Institute of Physics (AIP), American Mathematical Society (AMS), American Physical Society (APS), Elsevier, and Institute of Electrical and Electronics Engineers (IEEE). De Ruiter encouraged the members to consider development of a series of Web fonts, which he proposed should be called the Scientific and Technical Information eXchange, or STIX, Fonts. All STI Pub member organizations enthusiastically endorsed this proposal, and the STI Pub group agreed to embark on what has become a twelve-year project. The goal of the project was to identify all alphabetic, symbolic, and other special characters used in any facet of scientific publishing and to create a set of Unicode-based fonts that would be distributed free to every scientist, student, and other interested party worldwide. The fonts would be consistent with the emerging Unicode standard, and would permit universal representation of every character. With the release of the STIX fonts, de Ruiter's vision has been realized." "https://github.com/alif-type/xits" "http://www.micropress-inc.com" "As a condition for receiving these fonts at no charge, each person downloading the fonts must agree to some simple license terms. The license is based on the SIL Open Font License <http://scripts.sil.org/cms/scripts/page.php?site_id+AD0A-nrsi&id+AD0A-OFL>. The SIL License is a free and open source license specifically designed for fonts and related software. The basic terms are that the recipient will not remove the copyright and trademark statements from the fonts and that, if the person decides to create a derivative work based on the STIX Fonts but incorporating some changes or enhancements, the derivative work (+ACIA-Modified Version+ACIA) will carry a different name. The copyright and trademark restrictions are part of the agreement between the STI Pub companies and the typeface designer. The +ACIA-renaming+ACIA restriction results from the desire of the STI Pub companies to assure that the STIX Fonts will continue to function in a predictable fashion for all that use them. No copy of one or more of the individual Font typefaces that form the STIX Fonts(TM) set may be sold by itself, but other than this one restriction, licensees are free to sell the fonts either separately or as part of a package that combines other software or fonts with this font set." "http://www.stixfonts.org/user_license.html"
Encoding: UnicodeFull
UnicodeInterp: none
NameList: AGL without afii

View File

@ -0,0 +1 @@
include (xits.fea)

View File

@ -5,12 +5,12 @@ FamilyName: XITS
Weight: Bold
Copyright: Copyright (c) 2001-2011 by the STI Pub Companies, consisting of the American Chemical Society, the American Institute of Physics, the American Mathematical Society, the American Physical Society, Elsevier, Inc., and The Institute of Electrical and Electronic Engineers, Inc. Portions copyright (c) 1998-2003 by MicroPress, Inc. Portions copyright (c) 1990 by Elsevier, Inc. Portions copyright (c) 2009-2011 by Khaled Hosny. All rights reserved.
Version: $version
DefaultBaseFilename: xits-bolditalic
ItalicAngle: -16.33
UnderlinePosition: -50
UnderlineWidth: 50
Ascent: 750
Descent: 250
InvalidEm: 0
LayerCount: 2
Layer: 0 0 "Back" 1
Layer: 1 0 "Fore" 0
@ -49,11 +49,13 @@ OS2SupXOff: 0
OS2SupYOff: 500
OS2StrikeYSize: 50
OS2StrikeYPos: 309
OS2Vendor: 'STIX'
OS2CapHeight: 669
OS2XHeight: 449
OS2Vendor: 'ALIF'
Lookup: 258 0 0 "'kern' Horizontal Kerning in Latin lookup 0" { "'kern' Horizontal Kerning in Latin lookup 0 subtable" } ['kern' ('DFLT' <'dflt' > 'latn' <'dflt' > ) ]
MarkAttachClasses: 1
DEI: 91125
LangName: 1033 "" "" "Bold Italic" "" "" "" "" "STIX Fonts(TM) is a trademark of The Institute of Electrical and Electronics Engineers, Inc." "" "MicroPress Inc., with final additions and corrections provided by Coen Hoffman, Elsevier (retired)" "Arie de Ruiter, who in 1995 was Head of Information Technology Development at Elsevier Science, made a proposal to the STI Pub group, an informal group of publishers consisting of representatives from the American Chemical Society (ACS), American Institute of Physics (AIP), American Mathematical Society (AMS), American Physical Society (APS), Elsevier, and Institute of Electrical and Electronics Engineers (IEEE). De Ruiter encouraged the members to consider development of a series of Web fonts, which he proposed should be called the Scientific and Technical Information eXchange, or STIX, Fonts. All STI Pub member organizations enthusiastically endorsed this proposal, and the STI Pub group agreed to embark on what has become a twelve-year project. The goal of the project was to identify all alphabetic, symbolic, and other special characters used in any facet of scientific publishing and to create a set of Unicode-based fonts that would be distributed free to every scientist, student, and other interested party worldwide. The fonts would be consistent with the emerging Unicode standard, and would permit universal representation of every character. With the release of the STIX fonts, de Ruiter's vision has been realized." "http://www.stixfonts.org" "http://www.micropress-inc.com" "As a condition for receiving these fonts at no charge, each person downloading the fonts must agree to some simple license terms. The license is based on the SIL Open Font License <http://scripts.sil.org/cms/scripts/page.php?site_id+AD0A-nrsi&id+AD0A-OFL>. The SIL License is a free and open source license specifically designed for fonts and related software. The basic terms are that the recipient will not remove the copyright and trademark statements from the fonts and that, if the person decides to create a derivative work based on the STIX Fonts but incorporating some changes or enhancements, the derivative work (+ACIA-Modified Version+ACIA) will carry a different name. The copyright and trademark restrictions are part of the agreement between the STI Pub companies and the typeface designer. The +ACIA-renaming+ACIA restriction results from the desire of the STI Pub companies to assure that the STIX Fonts will continue to function in a predictable fashion for all that use them. No copy of one or more of the individual Font typefaces that form the STIX Fonts(TM) set may be sold by itself, but other than this one restriction, licensees are free to sell the fonts either separately or as part of a package that combines other software or fonts with this font set." "http://www.stixfonts.org/user_license.html"
LangName: 1033 "" "" "Bold Italic" "" "" "" "" "STIX Fonts(TM) is a trademark of The Institute of Electrical and Electronics Engineers, Inc." "" "MicroPress Inc., with final additions and corrections provided by Coen Hoffman, Elsevier (retired)" "Arie de Ruiter, who in 1995 was Head of Information Technology Development at Elsevier Science, made a proposal to the STI Pub group, an informal group of publishers consisting of representatives from the American Chemical Society (ACS), American Institute of Physics (AIP), American Mathematical Society (AMS), American Physical Society (APS), Elsevier, and Institute of Electrical and Electronics Engineers (IEEE). De Ruiter encouraged the members to consider development of a series of Web fonts, which he proposed should be called the Scientific and Technical Information eXchange, or STIX, Fonts. All STI Pub member organizations enthusiastically endorsed this proposal, and the STI Pub group agreed to embark on what has become a twelve-year project. The goal of the project was to identify all alphabetic, symbolic, and other special characters used in any facet of scientific publishing and to create a set of Unicode-based fonts that would be distributed free to every scientist, student, and other interested party worldwide. The fonts would be consistent with the emerging Unicode standard, and would permit universal representation of every character. With the release of the STIX fonts, de Ruiter's vision has been realized." "https://github.com/alif-type/xits" "http://www.micropress-inc.com" "As a condition for receiving these fonts at no charge, each person downloading the fonts must agree to some simple license terms. The license is based on the SIL Open Font License <http://scripts.sil.org/cms/scripts/page.php?site_id+AD0A-nrsi&id+AD0A-OFL>. The SIL License is a free and open source license specifically designed for fonts and related software. The basic terms are that the recipient will not remove the copyright and trademark statements from the fonts and that, if the person decides to create a derivative work based on the STIX Fonts but incorporating some changes or enhancements, the derivative work (+ACIA-Modified Version+ACIA) will carry a different name. The copyright and trademark restrictions are part of the agreement between the STI Pub companies and the typeface designer. The +ACIA-renaming+ACIA restriction results from the desire of the STI Pub companies to assure that the STIX Fonts will continue to function in a predictable fashion for all that use them. No copy of one or more of the individual Font typefaces that form the STIX Fonts(TM) set may be sold by itself, but other than this one restriction, licensees are free to sell the fonts either separately or as part of a package that combines other software or fonts with this font set." "http://www.stixfonts.org/user_license.html"
Encoding: UnicodeFull
UnicodeInterp: none
NameList: AGL without afii

View File

@ -0,0 +1 @@
include (xits.fea)

View File

@ -5,12 +5,12 @@ FamilyName: XITS
Weight: Italic
Copyright: Copyright (c) 2001-2011 by the STI Pub Companies, consisting of the American Chemical Society, the American Institute of Physics, the American Mathematical Society, the American Physical Society, Elsevier, Inc., and The Institute of Electrical and Electronic Engineers, Inc. Portions copyright (c) 1998-2003 by MicroPress, Inc. Portions copyright (c) 1990 by Elsevier, Inc. Portions copyright (c) 2009-2011 by Khaled Hosny. All rights reserved.
Version: $version
DefaultBaseFilename: xits-italic
ItalicAngle: -16.33
UnderlinePosition: -50
UnderlineWidth: 50
Ascent: 750
Descent: 250
InvalidEm: 0
LayerCount: 2
Layer: 0 0 "Back" 1
Layer: 1 0 "Fore" 0
@ -49,11 +49,13 @@ OS2SupXOff: 10
OS2SupYOff: 500
OS2StrikeYSize: 50
OS2StrikeYPos: 301
OS2Vendor: 'STIX'
OS2CapHeight: 653
OS2XHeight: 428
OS2Vendor: 'ALIF'
Lookup: 258 0 0 "'kern' Horizontal Kerning in Latin lookup 0" { "'kern' Horizontal Kerning in Latin lookup 0 subtable" } ['kern' ('DFLT' <'dflt' > 'latn' <'dflt' > ) ]
MarkAttachClasses: 1
DEI: 91125
LangName: 1033 "" "" "" "" "" "" "" "STIX Fonts(TM) is a trademark of The Institute of Electrical and Electronics Engineers, Inc." "" "MicroPress Inc., with final additions and corrections provided by Coen Hoffman, Elsevier (retired)" "Arie de Ruiter, who in 1995 was Head of Information Technology Development at Elsevier Science, made a proposal to the STI Pub group, an informal group of publishers consisting of representatives from the American Chemical Society (ACS), American Institute of Physics (AIP), American Mathematical Society (AMS), American Physical Society (APS), Elsevier, and Institute of Electrical and Electronics Engineers (IEEE). De Ruiter encouraged the members to consider development of a series of Web fonts, which he proposed should be called the Scientific and Technical Information eXchange, or STIX, Fonts. All STI Pub member organizations enthusiastically endorsed this proposal, and the STI Pub group agreed to embark on what has become a twelve-year project. The goal of the project was to identify all alphabetic, symbolic, and other special characters used in any facet of scientific publishing and to create a set of Unicode-based fonts that would be distributed free to every scientist, student, and other interested party worldwide. The fonts would be consistent with the emerging Unicode standard, and would permit universal representation of every character. With the release of the STIX fonts, de Ruiter's vision has been realized." "http://www.stixfonts.org" "http://www.micropress-inc.com" "As a condition for receiving these fonts at no charge, each person downloading the fonts must agree to some simple license terms. The license is based on the SIL Open Font License <http://scripts.sil.org/cms/scripts/page.php?site_id+AD0A-nrsi&id+AD0A-OFL>. The SIL License is a free and open source license specifically designed for fonts and related software. The basic terms are that the recipient will not remove the copyright and trademark statements from the fonts and that, if the person decides to create a derivative work based on the STIX Fonts but incorporating some changes or enhancements, the derivative work (+ACIA-Modified Version+ACIA) will carry a different name. The copyright and trademark restrictions are part of the agreement between the STI Pub companies and the typeface designer. The +ACIA-renaming+ACIA restriction results from the desire of the STI Pub companies to assure that the STIX Fonts will continue to function in a predictable fashion for all that use them. No copy of one or more of the individual Font typefaces that form the STIX Fonts(TM) set may be sold by itself, but other than this one restriction, licensees are free to sell the fonts either separately or as part of a package that combines other software or fonts with this font set." "http://www.stixfonts.org/user_license.html"
LangName: 1033 "" "" "" "" "" "" "" "STIX Fonts(TM) is a trademark of The Institute of Electrical and Electronics Engineers, Inc." "" "MicroPress Inc., with final additions and corrections provided by Coen Hoffman, Elsevier (retired)" "Arie de Ruiter, who in 1995 was Head of Information Technology Development at Elsevier Science, made a proposal to the STI Pub group, an informal group of publishers consisting of representatives from the American Chemical Society (ACS), American Institute of Physics (AIP), American Mathematical Society (AMS), American Physical Society (APS), Elsevier, and Institute of Electrical and Electronics Engineers (IEEE). De Ruiter encouraged the members to consider development of a series of Web fonts, which he proposed should be called the Scientific and Technical Information eXchange, or STIX, Fonts. All STI Pub member organizations enthusiastically endorsed this proposal, and the STI Pub group agreed to embark on what has become a twelve-year project. The goal of the project was to identify all alphabetic, symbolic, and other special characters used in any facet of scientific publishing and to create a set of Unicode-based fonts that would be distributed free to every scientist, student, and other interested party worldwide. The fonts would be consistent with the emerging Unicode standard, and would permit universal representation of every character. With the release of the STIX fonts, de Ruiter's vision has been realized." "https://github.com/alif-type/xits" "http://www.micropress-inc.com" "As a condition for receiving these fonts at no charge, each person downloading the fonts must agree to some simple license terms. The license is based on the SIL Open Font License <http://scripts.sil.org/cms/scripts/page.php?site_id+AD0A-nrsi&id+AD0A-OFL>. The SIL License is a free and open source license specifically designed for fonts and related software. The basic terms are that the recipient will not remove the copyright and trademark statements from the fonts and that, if the person decides to create a derivative work based on the STIX Fonts but incorporating some changes or enhancements, the derivative work (+ACIA-Modified Version+ACIA) will carry a different name. The copyright and trademark restrictions are part of the agreement between the STI Pub companies and the typeface designer. The +ACIA-renaming+ACIA restriction results from the desire of the STI Pub companies to assure that the STIX Fonts will continue to function in a predictable fashion for all that use them. No copy of one or more of the individual Font typefaces that form the STIX Fonts(TM) set may be sold by itself, but other than this one restriction, licensees are free to sell the fonts either separately or as part of a package that combines other software or fonts with this font set." "http://www.stixfonts.org/user_license.html"
Encoding: UnicodeFull
UnicodeInterp: none
NameList: AGL without afii

View File

@ -0,0 +1,3 @@
include (xits.fea)
include (frac.fea)
include (numrdnom.fea)

View File

@ -1,16 +1,16 @@
SplineFontDB: 3.0
FontName: XITS
FontName: XITS-Regular
FullName: XITS
FamilyName: XITS
Weight: Regular
Copyright: Copyright (c) 2001-2011 by the STI Pub Companies, consisting of the American Chemical Society, the American Institute of Physics, the American Mathematical Society, the American Physical Society, Elsevier, Inc., and The Institute of Electrical and Electronic Engineers, Inc. Portions copyright (c) 1998-2003 by MicroPress, Inc. Portions copyright (c) 1990 by Elsevier, Inc. Portions copyright (c) 2009-2011 by Khaled Hosny. All rights reserved.
Version: $version
DefaultBaseFilename: xits-regular
ItalicAngle: 0
UnderlinePosition: -50
UnderlineWidth: 50
Ascent: 750
Descent: 250
InvalidEm: 0
LayerCount: 2
Layer: 0 0 "Back" 1
Layer: 1 0 "Fore" 0
@ -49,11 +49,13 @@ OS2SupXOff: 0
OS2SupYOff: 500
OS2StrikeYSize: 50
OS2StrikeYPos: 306
OS2Vendor: 'STIX'
OS2CapHeight: 662
OS2XHeight: 450
OS2Vendor: 'ALIF'
Lookup: 258 0 0 "'kern' Horizontal Kerning in Latin lookup 0" { "'kern' Horizontal Kerning in Latin lookup 0 subtable" } ['kern' ('DFLT' <'dflt' > 'latn' <'dflt' > ) ]
MarkAttachClasses: 1
DEI: 91125
LangName: 1033 "" "" "" "" "" "" "" "STIX Fonts(TM) is a trademark of The Institute of Electrical and Electronics Engineers, Inc." "" "MicroPress Inc., with final additions and corrections provided by Coen Hoffman, Elsevier (retired)" "Arie de Ruiter, who in 1995 was Head of Information Technology Development at Elsevier Science, made a proposal to the STI Pub group, an informal group of publishers consisting of representatives from the American Chemical Society (ACS), American Institute of Physics (AIP), American Mathematical Society (AMS), American Physical Society (APS), Elsevier, and Institute of Electrical and Electronics Engineers (IEEE). De Ruiter encouraged the members to consider development of a series of Web fonts, which he proposed should be called the Scientific and Technical Information eXchange, or STIX, Fonts. All STI Pub member organizations enthusiastically endorsed this proposal, and the STI Pub group agreed to embark on what has become a twelve-year project. The goal of the project was to identify all alphabetic, symbolic, and other special characters used in any facet of scientific publishing and to create a set of Unicode-based fonts that would be distributed free to every scientist, student, and other interested party worldwide. The fonts would be consistent with the emerging Unicode standard, and would permit universal representation of every character. With the release of the STIX fonts, de Ruiter's vision has been realized." "http://www.stixfonts.org" "http://www.micropress-inc.com" "As a condition for receiving these fonts at no charge, each person downloading the fonts must agree to some simple license terms. The license is based on the SIL Open Font License <http://scripts.sil.org/cms/scripts/page.php?site_id+AD0A-nrsi&id+AD0A-OFL>. The SIL License is a free and open source license specifically designed for fonts and related software. The basic terms are that the recipient will not remove the copyright and trademark statements from the fonts and that, if the person decides to create a derivative work based on the STIX Fonts but incorporating some changes or enhancements, the derivative work (+ACIA-Modified Version+ACIA) will carry a different name. The copyright and trademark restrictions are part of the agreement between the STI Pub companies and the typeface designer. The +ACIA-renaming+ACIA restriction results from the desire of the STI Pub companies to assure that the STIX Fonts will continue to function in a predictable fashion for all that use them. No copy of one or more of the individual Font typefaces that form the STIX Fonts(TM) set may be sold by itself, but other than this one restriction, licensees are free to sell the fonts either separately or as part of a package that combines other software or fonts with this font set." "http://www.stixfonts.org/user_license.html"
LangName: 1033 "" "" "" "" "" "" "" "STIX Fonts(TM) is a trademark of The Institute of Electrical and Electronics Engineers, Inc." "" "MicroPress Inc., with final additions and corrections provided by Coen Hoffman, Elsevier (retired)" "Arie de Ruiter, who in 1995 was Head of Information Technology Development at Elsevier Science, made a proposal to the STI Pub group, an informal group of publishers consisting of representatives from the American Chemical Society (ACS), American Institute of Physics (AIP), American Mathematical Society (AMS), American Physical Society (APS), Elsevier, and Institute of Electrical and Electronics Engineers (IEEE). De Ruiter encouraged the members to consider development of a series of Web fonts, which he proposed should be called the Scientific and Technical Information eXchange, or STIX, Fonts. All STI Pub member organizations enthusiastically endorsed this proposal, and the STI Pub group agreed to embark on what has become a twelve-year project. The goal of the project was to identify all alphabetic, symbolic, and other special characters used in any facet of scientific publishing and to create a set of Unicode-based fonts that would be distributed free to every scientist, student, and other interested party worldwide. The fonts would be consistent with the emerging Unicode standard, and would permit universal representation of every character. With the release of the STIX fonts, de Ruiter's vision has been realized." "https://github.com/alif-type/xits" "http://www.micropress-inc.com" "As a condition for receiving these fonts at no charge, each person downloading the fonts must agree to some simple license terms. The license is based on the SIL Open Font License <http://scripts.sil.org/cms/scripts/page.php?site_id+AD0A-nrsi&id+AD0A-OFL>. The SIL License is a free and open source license specifically designed for fonts and related software. The basic terms are that the recipient will not remove the copyright and trademark statements from the fonts and that, if the person decides to create a derivative work based on the STIX Fonts but incorporating some changes or enhancements, the derivative work (+ACIA-Modified Version+ACIA) will carry a different name. The copyright and trademark restrictions are part of the agreement between the STI Pub companies and the typeface designer. The +ACIA-renaming+ACIA restriction results from the desire of the STI Pub companies to assure that the STIX Fonts will continue to function in a predictable fashion for all that use them. No copy of one or more of the individual Font typefaces that form the STIX Fonts(TM) set may be sold by itself, but other than this one restriction, licensees are free to sell the fonts either separately or as part of a package that combines other software or fonts with this font set." "http://www.stixfonts.org/user_license.html"
Encoding: UnicodeFull
UnicodeInterp: none
NameList: AGL without afii
@ -26657,8 +26659,8 @@ SplineSet
EndSplineSet
EndChar
StartChar: uni1D98
Encoding: 7576 7576 784
StartChar: uni1D9B
Encoding: 7579 7579 784
Width: 441
GlyphClass: 2
Flags: MW
@ -77714,7 +77716,6 @@ EndChar
StartChar: zero.numr
Encoding: 1114123 -1 2317
Width: 350
VWidth: 1015
Flags: W
HStem: 262 40<125.134 223.81> 636 40<125.889 223.52>
VStem: 19 76<354.865 583.604> 255 76<352.772 579.953>
@ -77850,7 +77851,6 @@ EndChar
StartChar: five.numr
Encoding: 1114128 -1 2322
Width: 350
VWidth: 1010
Flags: W
HStem: 262 48<112.399 215.31> 598 72<135 285.641>
VStem: 238 65<334.633 446.591>
@ -77931,7 +77931,6 @@ EndChar
StartChar: eight.numr
Encoding: 1114131 -1 2325
Width: 350
VWidth: 1015
Flags: W
HStem: 262 54<123.929 234.494> 623 53<117.264 219.798>
VStem: 40 70<330.119 420.749 535.844 615.421> 232 62<531.27 609.133> 242 68<325.659 405.259>
@ -77964,7 +77963,6 @@ EndChar
StartChar: nine.numr
Encoding: 1114132 -1 2326
Width: 350
VWidth: 1031
Flags: W
HStem: 262 24<41 89.4569> 410 38<142.528 222.704> 647 45<124.462 209.392>
VStem: 26 80<485.148 625.648> 242 82<466.012 610.761>

View File

@ -0,0 +1,78 @@
languagesystem DFLT dflt;
languagesystem latn dflt;
languagesystem math dflt;
feature ssty {
script math;
sub uni2032 from [uni2032.ssty1 uni2032.ssty2];
sub uni2033 from [uni2033.ssty1 uni2033.ssty2];
sub uni2034 from [uni2034.ssty1 uni2034.ssty2];
sub uni2035 from [uni2035.ssty1 uni2035.ssty2];
sub uni2036 from [uni2036.ssty1 uni2036.ssty2];
sub uni2037 from [uni2037.ssty1 uni2037.ssty2];
sub uni2057 from [uni2057.ssty1 uni2057.ssty2];
} ssty;
feature ss01 {
featureNames { name "Mathematical Calligraphic Alphabet"; };
sub u1D4D0 by u1D4D0.cal;
sub u1D4D1 by u1D4D1.cal;
sub u1D4D2 by u1D4D2.cal;
sub u1D4D3 by u1D4D3.cal;
sub u1D4D4 by u1D4D4.cal;
sub u1D4D5 by u1D4D5.cal;
sub u1D4D6 by u1D4D6.cal;
sub u1D4D7 by u1D4D7.cal;
sub u1D4D8 by u1D4D8.cal;
sub u1D4D9 by u1D4D9.cal;
sub u1D4DA by u1D4DA.cal;
sub u1D4DB by u1D4DB.cal;
sub u1D4DC by u1D4DC.cal;
sub u1D4DD by u1D4DD.cal;
sub u1D4DE by u1D4DE.cal;
sub u1D4DF by u1D4DF.cal;
sub u1D4E0 by u1D4E0.cal;
sub u1D4E1 by u1D4E1.cal;
sub u1D4E2 by u1D4E2.cal;
sub u1D4E3 by u1D4E3.cal;
sub u1D4E4 by u1D4E4.cal;
sub u1D4E5 by u1D4E5.cal;
sub u1D4E6 by u1D4E6.cal;
sub u1D4E7 by u1D4E7.cal;
sub u1D4E8 by u1D4E8.cal;
sub u1D4E9 by u1D4E9.cal;
} ss01;
feature ss08 {
featureNames { name "Upright Integrals"; };
sub uni222B by uni222B.up;
sub uni222C by uni222C.up;
sub uni222D by uni222D.up;
sub uni222E by uni222E.up;
sub uni222F by uni222F.up;
sub uni2230 by uni2230.up;
sub uni2231 by uni2231.up;
sub uni2232 by uni2232.up;
sub uni2233 by uni2233.up;
sub uni2A0C by uni2A0C.up;
sub uni2A0D by uni2A0D.up;
sub uni2A0E by uni2A0E.up;
sub uni2A0F by uni2A0F.up;
sub uni2A10 by uni2A10.up;
sub uni2A11 by uni2A11.up;
sub uni2A12 by uni2A12.up;
sub uni2A13 by uni2A13.up;
sub uni2A14 by uni2A14.up;
sub uni2A15 by uni2A15.up;
sub uni2A16 by uni2A16.up;
sub uni2A17 by uni2A17.up;
sub uni2A18 by uni2A18.up;
sub uni2A19 by uni2A19.up;
sub uni2A1A by uni2A1A.up;
sub uni2A1B by uni2A1B.up;
sub uni2A1C by uni2A1C.up;
sub uni2A0B by uni2A0B.up;
} ss08;

View File

@ -10,6 +10,7 @@ UnderlinePosition: -50
UnderlineWidth: 50
Ascent: 750
Descent: 250
InvalidEm: 0
LayerCount: 2
Layer: 0 0 "Back" 1
Layer: 1 0 "Fore" 0
@ -47,16 +48,13 @@ OS2SupXOff: 0
OS2SupYOff: 500
OS2StrikeYSize: 50
OS2StrikeYPos: 313
OS2Vendor: 'STIX'
Lookup: 4 0 1 "'liga' Standard Ligatures in Latin lookup 0" {"'liga' Standard Ligatures in Latin lookup 0 subtable" } ['liga' ('DFLT' <'dflt' > 'latn' <'dflt' > ) ]
Lookup: 4 0 1 "'liga' Standard Ligatures in Latin lookup 1" {"'liga' Standard Ligatures in Latin lookup 1 subtable" } ['liga' ('latn' <'NLD ' > ) ]
Lookup: 3 0 0 "'ssty' Script Style 4" {"'ssty' Script Style 4-1" } ['ssty' ('math' <'dflt' > ) ]
Lookup: 1 0 0 "'ss01' Calligraphic Math Alphabet" {"'ss01' Calligraphic Math Alphabet-1" ("cal" ) } ['ss01' ('math' <'dflt' > 'DFLT' <'dflt' > 'latn' <'dflt' > ) ]
Lookup: 1 0 0 "'ss08' Upright Integrals" {"'ss08' Upright Integrals-1" ("up" ) } ['ss08' ('math' <'dflt' > 'DFLT' <'dflt' > 'latn' <'dflt' > ) ]
OS2CapHeight: 676
OS2XHeight: 461
OS2Vendor: 'ALIF'
Lookup: 258 0 0 "'kern' Horizontal Kerning in Latin lookup 0" { "'kern' Horizontal Kerning in Latin lookup 0 subtable" [150,15,0] } ['kern' ('DFLT' <'dflt' > 'latn' <'dflt' > ) ]
MarkAttachClasses: 1
DEI: 91125
LangName: 1033 "" "" "" "" "" "" "" "" "" "MicroPress Inc., with final additions and corrections provided by Coen Hoffman, Elsevier (retired)" "Arie de Ruiter, who in 1995 was Head of Information Technology Development at Elsevier Science, made a proposal to the STI Pub group, an informal group of publishers consisting of representatives from the American Chemical Society (ACS), American Institute of Physics (AIP), American Mathematical Society (AMS), American Physical Society (APS), Elsevier, and Institute of Electrical and Electronics Engineers (IEEE). De Ruiter encouraged the members to consider development of a series of Web fonts, which he proposed should be called the Scientific and Technical Information eXchange, or STIX, Fonts. All STI Pub member organizations enthusiastically endorsed this proposal, and the STI Pub group agreed to embark on what has become a twelve-year project. The goal of the project was to identify all alphabetic, symbolic, and other special characters used in any facet of scientific publishing and to create a set of Unicode-based fonts that would be distributed free to every scientist, student, and other interested party worldwide. The fonts would be consistent with the emerging Unicode standard, and would permit universal representation of every character. With the release of the STIX fonts, de Ruiter's vision has been realized." "http://www.stixfonts.org" "http://www.micropress-inc.com" "As a condition for receiving these fonts at no charge, each person downloading the fonts must agree to some simple license terms. The license is based on the SIL Open Font License <http://scripts.sil.org/cms/scripts/page.php?site_id+AD0A-nrsi&id+AD0A-OFL>. The SIL License is a free and open source license specifically designed for fonts and related software. The basic terms are that the recipient will not remove the copyright and trademark statements from the fonts and that, if the person decides to create a derivative work based on the STIX Fonts but incorporating some changes or enhancements, the derivative work (+ACIA-Modified Version+ACIA) will carry a different name. The copyright and trademark restrictions are part of the agreement between the STI Pub companies and the typeface designer. The +ACIA-renaming+ACIA restriction results from the desire of the STI Pub companies to assure that the STIX Fonts will continue to function in a predictable fashion for all that use them. No copy of one or more of the individual Font typefaces that form the STIX Fonts(TM) set may be sold by itself, but other than this one restriction, licensees are free to sell the fonts either separately or as part of a package that combines other software or fonts with this font set." "http://www.stixfonts.org/user_license.html"
LangName: 1033 "" "" "" "" "" "" "" "" "" "MicroPress Inc., with final additions and corrections provided by Coen Hoffman, Elsevier (retired)" "Arie de Ruiter, who in 1995 was Head of Information Technology Development at Elsevier Science, made a proposal to the STI Pub group, an informal group of publishers consisting of representatives from the American Chemical Society (ACS), American Institute of Physics (AIP), American Mathematical Society (AMS), American Physical Society (APS), Elsevier, and Institute of Electrical and Electronics Engineers (IEEE). De Ruiter encouraged the members to consider development of a series of Web fonts, which he proposed should be called the Scientific and Technical Information eXchange, or STIX, Fonts. All STI Pub member organizations enthusiastically endorsed this proposal, and the STI Pub group agreed to embark on what has become a twelve-year project. The goal of the project was to identify all alphabetic, symbolic, and other special characters used in any facet of scientific publishing and to create a set of Unicode-based fonts that would be distributed free to every scientist, student, and other interested party worldwide. The fonts would be consistent with the emerging Unicode standard, and would permit universal representation of every character. With the release of the STIX fonts, de Ruiter's vision has been realized." "https://github.com/alif-type/xits" "http://www.micropress-inc.com" "As a condition for receiving these fonts at no charge, each person downloading the fonts must agree to some simple license terms. The license is based on the SIL Open Font License <http://scripts.sil.org/cms/scripts/page.php?site_id+AD0A-nrsi&id+AD0A-OFL>. The SIL License is a free and open source license specifically designed for fonts and related software. The basic terms are that the recipient will not remove the copyright and trademark statements from the fonts and that, if the person decides to create a derivative work based on the STIX Fonts but incorporating some changes or enhancements, the derivative work (+ACIA-Modified Version+ACIA) will carry a different name. The copyright and trademark restrictions are part of the agreement between the STI Pub companies and the typeface designer. The +ACIA-renaming+ACIA restriction results from the desire of the STI Pub companies to assure that the STIX Fonts will continue to function in a predictable fashion for all that use them. No copy of one or more of the individual Font typefaces that form the STIX Fonts(TM) set may be sold by itself, but other than this one restriction, licensees are free to sell the fonts either separately or as part of a package that combines other software or fonts with this font set." "http://www.stixfonts.org/user_license.html"
GaspTable: 2 8 3 65535 3 0
MATH:ScriptPercentScaleDown: 75
MATH:ScriptScriptPercentScaleDown: 60
@ -1200,6 +1198,7 @@ Encoding: 124 124 40
Width: 340
GlyphClass: 2
Flags: W
GlyphCompositionVertical: 2 bar%0,0,400,880 bar%1,400,0,880
HStem: 671 20G<126 214>
VStem: 126 88<-189 691>
LayerCount: 2
@ -6863,7 +6862,6 @@ SplineSet
275 41 294 30 370 25 c 1
370 0 l 1
EndSplineSet
Ligature2: "'liga' Standard Ligatures in Latin lookup 1 subtable" u1D408 u1D409
EndChar
StartChar: uni0133
@ -6913,7 +6911,6 @@ SplineSet
208 42 221 29 256 24 c 1
256 0 l 1
EndSplineSet
Ligature2: "'liga' Standard Ligatures in Latin lookup 1 subtable" u1D422 u1D423
EndChar
StartChar: uni0134
@ -23839,7 +23836,6 @@ EndChar
StartChar: uni2032
Encoding: 8242 8242 693
Width: 345
VWidth: 1021
GlyphClass: 2
Flags: W
VStem: 146.587 123.675<676.81 745.813>
@ -23856,13 +23852,11 @@ SplineSet
EndSplineSet
Fore
Refer: 2062 -1 N 0.75 0 0 0.75 0 381 2
AlternateSubs2: "'ssty' Script Style 4-1" uni2032.ssty1 uni2032.ssty2
EndChar
StartChar: uni2033
Encoding: 8243 8243 694
Width: 548
VWidth: 1021
GlyphClass: 2
Flags: W
VStem: 146.588 123.675<676.81 745.813> 349.95 123.675<676.81 745.813>
@ -23886,13 +23880,11 @@ SplineSet
EndSplineSet
Fore
Refer: 2063 -1 N 0.75 0 0 0.75 3.125e-05 381 2
AlternateSubs2: "'ssty' Script Style 4-1" uni2033.ssty1 uni2033.ssty2
EndChar
StartChar: uni2034
Encoding: 8244 8244 695
Width: 751
VWidth: 1021
GlyphClass: 2
Flags: W
VStem: 146.587 123.675<676.81 745.813> 349.95 123.675<676.81 745.813> 553.312 123.675<676.81 745.813>
@ -23924,13 +23916,11 @@ SplineSet
EndSplineSet
Fore
Refer: 2064 -1 N 0.75 0 0 0.75 -4.6875e-06 381 2
AlternateSubs2: "'ssty' Script Style 4-1" uni2034.ssty1 uni2034.ssty2
EndChar
StartChar: uni2035
Encoding: 8245 8245 696
Width: 345
VWidth: 1021
GlyphClass: 2
Flags: W
LayerCount: 2
@ -23946,13 +23936,11 @@ SplineSet
EndSplineSet
Fore
Refer: 2065 -1 N 0.75 0 0 0.75 -9.375e-06 381 2
AlternateSubs2: "'ssty' Script Style 4-1" uni2035.ssty1 uni2035.ssty2
EndChar
StartChar: uni2036
Encoding: 8246 8246 697
Width: 548
VWidth: 1021
GlyphClass: 2
Flags: W
LayerCount: 2
@ -23975,13 +23963,11 @@ SplineSet
EndSplineSet
Fore
Refer: 2066 -1 N 0.75 0 0 0.75 3.125e-05 381 2
AlternateSubs2: "'ssty' Script Style 4-1" uni2036.ssty1 uni2036.ssty2
EndChar
StartChar: uni2037
Encoding: 8247 8247 698
Width: 751
VWidth: 1021
GlyphClass: 2
Flags: W
LayerCount: 2
@ -24011,7 +23997,6 @@ SplineSet
EndSplineSet
Fore
Refer: 2067 -1 N 0.75 0 0 0.75 -4.6875e-06 381 2
AlternateSubs2: "'ssty' Script Style 4-1" uni2037.ssty1 uni2037.ssty2
EndChar
StartChar: uni2038
@ -24160,18 +24145,18 @@ EndChar
StartChar: fraction
Encoding: 8260 8260 705
Width: 183
Width: 465
GlyphClass: 2
Flags: MW
HStem: -12 20 668 20<273 345 345 345>
Flags: W
HStem: -12 21G<-24 62.5429> 668 20G<404.4 489>
LayerCount: 2
Fore
SplineSet
345 688 m 1
-94 -12 l 1
-168 -12 l 1
273 688 l 1
345 688 l 1
489 688 m 1
50 -12 l 1
-24 -12 l 1
417 688 l 1
489 688 l 1
EndSplineSet
EndChar
@ -24398,7 +24383,6 @@ EndChar
StartChar: uni2057
Encoding: 8279 8279 710
Width: 955
VWidth: 1021
GlyphClass: 2
Flags: W
VStem: 146.587 123.675<676.81 745.813> 349.95 123.675<676.81 745.813> 553.312 123.675<676.81 745.813> 756.675 123.675<676.81 745.813>
@ -24436,7 +24420,6 @@ SplineSet
EndSplineSet
Fore
Refer: 2068 -1 N 0.75 0 0 0.75 -3.59375e-05 381 2
AlternateSubs2: "'ssty' Script Style 4-1" uni2057.ssty1 uni2057.ssty2
EndChar
StartChar: nsuperior
@ -31226,7 +31209,6 @@ SplineSet
130 -275 142 -278 147 -278 c 0
182 -278 210 -206 234 -108 c 2
EndSplineSet
Substitution2: "'ss08' Upright Integrals-1" uni222B.up
EndChar
StartChar: uni222C
@ -31279,7 +31261,6 @@ SplineSet
130 -275 142 -278 147 -278 c 0
182 -278 210 -206 234 -108 c 2
EndSplineSet
Substitution2: "'ss08' Upright Integrals-1" uni222C.up
EndChar
StartChar: uni222D
@ -31351,7 +31332,6 @@ SplineSet
130 -275 142 -278 147 -278 c 0
182 -278 210 -205 234 -108 c 2
EndSplineSet
Substitution2: "'ss08' Upright Integrals-1" uni222D.up
EndChar
StartChar: uni222E
@ -31401,7 +31381,6 @@ SplineSet
273 431 198 352 198 255 c 0
198 190 232 132 284 100 c 1
EndSplineSet
Substitution2: "'ss08' Upright Integrals-1" uni222E.up
EndChar
StartChar: uni222F
@ -31484,7 +31463,6 @@ SplineSet
187 202 217 153 291 122 c 1
325 256 l 1
EndSplineSet
Substitution2: "'ss08' Upright Integrals-1" uni222F.up
EndChar
StartChar: uni2230
@ -31589,7 +31567,6 @@ SplineSet
187 208 214 164 294 132 c 1
325 256 l 1
EndSplineSet
Substitution2: "'ss08' Upright Integrals-1" uni2230.up
EndChar
StartChar: uni2231
@ -31641,7 +31618,6 @@ SplineSet
144 143 l 1
144 263 236 359 353 366 c 1
EndSplineSet
Substitution2: "'ss08' Upright Integrals-1" uni2231.up
EndChar
StartChar: uni2232
@ -31696,7 +31672,6 @@ SplineSet
274 431 200 351 200 255 c 0
200 192 232 133 286 100 c 1
EndSplineSet
Substitution2: "'ss08' Upright Integrals-1" uni2232.up
EndChar
StartChar: uni2233
@ -31752,7 +31727,6 @@ SplineSet
274 431 200 351 200 255 c 0
200 192 233 133 286 100 c 1
EndSplineSet
Substitution2: "'ss08' Upright Integrals-1" uni2233.up
EndChar
StartChar: uni2234
@ -42382,7 +42356,6 @@ SplineSet
130 -275 142 -278 147 -278 c 0
182 -278 210 -205 234 -108 c 2
EndSplineSet
Substitution2: "'ss08' Upright Integrals-1" uni2A0C.up
EndChar
StartChar: uni2A0D
@ -42424,7 +42397,6 @@ SplineSet
137 292 l 1
334 292 l 1
EndSplineSet
Substitution2: "'ss08' Upright Integrals-1" uni2A0D.up
EndChar
StartChar: uni2A0E
@ -42472,7 +42444,6 @@ SplineSet
137 394 l 1
360 394 l 1
EndSplineSet
Substitution2: "'ss08' Upright Integrals-1" uni2A0E.up
EndChar
StartChar: uni2A0F
@ -42513,7 +42484,6 @@ SplineSet
95 127 l 1
325 254 l 1
EndSplineSet
Substitution2: "'ss08' Upright Integrals-1" uni2A0F.up
EndChar
StartChar: uni2A10
@ -42565,7 +42535,6 @@ SplineSet
200 190 234 132 286 100 c 1
369 437 l 1
EndSplineSet
Substitution2: "'ss08' Upright Integrals-1" uni2A10.up
EndChar
StartChar: uni2A11
@ -42619,7 +42588,6 @@ SplineSet
231 307 265 249 316 218 c 1
363 407 l 1
EndSplineSet
Substitution2: "'ss08' Upright Integrals-1" uni2A11.up
EndChar
StartChar: uni2A12
@ -42670,7 +42638,6 @@ SplineSet
488 435 l 1
369 435 l 1
EndSplineSet
Substitution2: "'ss08' Upright Integrals-1" uni2A12.up
EndChar
StartChar: uni2A13
@ -42719,7 +42686,6 @@ SplineSet
566 356 484 438 383 438 c 2
370 438 l 1
EndSplineSet
Substitution2: "'ss08' Upright Integrals-1" uni2A13.up
EndChar
StartChar: uni2A14
@ -42768,7 +42734,6 @@ SplineSet
635 780 623 782 618 782 c 0
583 782 555 711 531 613 c 2
EndSplineSet
Substitution2: "'ss08' Upright Integrals-1" uni2A14.up
EndChar
StartChar: uni2A15
@ -42818,7 +42783,6 @@ SplineSet
200 154 282 72 383 72 c 0
484 72 566 154 566 255 c 0
EndSplineSet
Substitution2: "'ss08' Upright Integrals-1" uni2A15.up
EndChar
StartChar: uni2A16
@ -42869,7 +42833,6 @@ SplineSet
278 69 l 1
370 435 l 1
EndSplineSet
Substitution2: "'ss08' Upright Integrals-1" uni2A16.up
EndChar
StartChar: uni2A17
@ -42928,7 +42891,6 @@ SplineSet
653 782 621 646 613 613 c 2
537 312 l 1
EndSplineSet
Substitution2: "'ss08' Upright Integrals-1" uni2A17.up
EndChar
StartChar: uni2A18
@ -42976,7 +42938,6 @@ SplineSet
181 501 l 1
347 344 l 1
EndSplineSet
Substitution2: "'ss08' Upright Integrals-1" uni2A18.up
EndChar
StartChar: uni2A19
@ -43022,7 +42983,6 @@ SplineSet
83 385 215 514 377 514 c 2
390 514 l 1
EndSplineSet
Substitution2: "'ss08' Upright Integrals-1" uni2A19.up
EndChar
StartChar: uni2A1A
@ -43069,7 +43029,6 @@ SplineSet
171 282 l 2
171 203 215 130 284 94 c 1
EndSplineSet
Substitution2: "'ss08' Upright Integrals-1" uni2A1A.up
EndChar
StartChar: uni2A1B
@ -43108,7 +43067,6 @@ SplineSet
130 -275 142 -278 147 -278 c 0
182 -278 210 -205 234 -108 c 2
EndSplineSet
Substitution2: "'ss08' Upright Integrals-1" uni2A1B.up
EndChar
StartChar: uni2A1C
@ -43147,7 +43105,6 @@ SplineSet
538 -375 l 1
538 -455 l 1
EndSplineSet
Substitution2: "'ss08' Upright Integrals-1" uni2A1C.up
EndChar
StartChar: uni2A22
@ -44562,8 +44519,6 @@ SplineSet
210 461 l 1
348 461 l 1
EndSplineSet
Ligature2: "'liga' Standard Ligatures in Latin lookup 1 subtable" u1D41F u1D41F
Ligature2: "'liga' Standard Ligatures in Latin lookup 0 subtable" u1D41F u1D41F
EndChar
StartChar: fi
@ -44608,8 +44563,6 @@ SplineSet
487 41 500 26 536 24 c 1
536 0 l 1
EndSplineSet
Ligature2: "'liga' Standard Ligatures in Latin lookup 1 subtable" u1D41F u1D422
Ligature2: "'liga' Standard Ligatures in Latin lookup 0 subtable" u1D41F u1D422
EndChar
StartChar: fl
@ -44656,8 +44609,6 @@ SplineSet
210 461 l 1
348 461 l 1
EndSplineSet
Ligature2: "'liga' Standard Ligatures in Latin lookup 1 subtable" u1D41F u1D425
Ligature2: "'liga' Standard Ligatures in Latin lookup 0 subtable" u1D41F u1D425
EndChar
StartChar: ffi
@ -44720,8 +44671,6 @@ SplineSet
210 461 l 1
348 461 l 1
EndSplineSet
Ligature2: "'liga' Standard Ligatures in Latin lookup 1 subtable" u1D41F u1D41F u1D422
Ligature2: "'liga' Standard Ligatures in Latin lookup 0 subtable" u1D41F u1D41F u1D422
EndChar
StartChar: ffl
@ -44786,8 +44735,6 @@ SplineSet
210 461 l 1
348 461 l 1
EndSplineSet
Ligature2: "'liga' Standard Ligatures in Latin lookup 1 subtable" u1D41F u1D41F u1D425
Ligature2: "'liga' Standard Ligatures in Latin lookup 0 subtable" u1D41F u1D41F u1D425
EndChar
StartChar: u1D400
@ -56451,8 +56398,6 @@ SplineSet
314 461 l 2
349 461 410 461 487 474 c 1xfa
EndSplineSet
Ligature2: "'liga' Standard Ligatures in Latin lookup 1 subtable" u1D41F u1D423
Ligature2: "'liga' Standard Ligatures in Latin lookup 0 subtable" u1D41F u1D423
EndChar
StartChar: uni222B.small
@ -60598,7 +60543,6 @@ SplineSet
340 233 l 1
EndSplineSet
Refer: 909 8747 N 1 0 0 1 0 0 2
Substitution2: "'ss08' Upright Integrals-1" uni2A0B.up
EndChar
StartChar: uni210A
@ -63387,7 +63331,6 @@ SplineSet
293 239 329 183 381 147 c 1
444 219 496 301 547 384 c 1
EndSplineSet
Substitution2: "'ss01' Calligraphic Math Alphabet-1" u1D4D0.cal
EndChar
StartChar: u1D4D1
@ -63447,7 +63390,6 @@ SplineSet
731 367 766 364 786 354 c 1
839 364 871 423 871 480 c 0
EndSplineSet
Substitution2: "'ss01' Calligraphic Math Alphabet-1" u1D4D1.cal
EndChar
StartChar: u1D4D2
@ -63491,7 +63433,6 @@ SplineSet
786 617 771 632 740 632 c 0
653 632 505 519 414 375 c 1x2c
EndSplineSet
Substitution2: "'ss01' Calligraphic Math Alphabet-1" u1D4D2.cal
EndChar
StartChar: u1D4D3
@ -63548,7 +63489,6 @@ SplineSet
151 45 172 38 215 38 c 0
249 38 280 42 310 51 c 1x64
EndSplineSet
Substitution2: "'ss01' Calligraphic Math Alphabet-1" u1D4D3.cal
EndChar
StartChar: u1D4D4
@ -63598,7 +63538,6 @@ SplineSet
700 624 686 632 655 632 c 0
579 632 481 542 456 455 c 1x2c
EndSplineSet
Substitution2: "'ss01' Calligraphic Math Alphabet-1" u1D4D4.cal
EndChar
StartChar: u1D4D5
@ -63654,7 +63593,6 @@ SplineSet
334 213 414 276 525 323 c 1
608 468 656 515 718 558 c 1x98
EndSplineSet
Substitution2: "'ss01' Calligraphic Math Alphabet-1" u1D4D5.cal
EndChar
StartChar: u1D4D6
@ -63704,7 +63642,6 @@ SplineSet
708 617 695 632 665 632 c 0
589 632 489 548 424 447 c 1x2c
EndSplineSet
Substitution2: "'ss01' Calligraphic Math Alphabet-1" u1D4D6.cal
EndChar
StartChar: u1D4D7
@ -63764,7 +63701,6 @@ SplineSet
156 38 165 34 176 34 c 0
217 34 294 131 344 225 c 1x87
EndSplineSet
Substitution2: "'ss01' Calligraphic Math Alphabet-1" u1D4D7.cal
EndChar
StartChar: u1D4D8
@ -63810,7 +63746,6 @@ SplineSet
517 406 535 375 571 358 c 1
618 450 672 546 769 604 c 1
EndSplineSet
Substitution2: "'ss01' Calligraphic Math Alphabet-1" u1D4D8.cal
EndChar
StartChar: u1D4D9
@ -63861,7 +63796,6 @@ SplineSet
110 -157 122 -169 139 -169 c 0
207 -169 287 -54 333 50 c 1
EndSplineSet
Substitution2: "'ss01' Calligraphic Math Alphabet-1" u1D4D9.cal
EndChar
StartChar: u1D4DA
@ -63922,7 +63856,6 @@ SplineSet
638 643 667 636 682 636 c 0
719 636 779 642 842 699 c 1xb8
EndSplineSet
Substitution2: "'ss01' Calligraphic Math Alphabet-1" u1D4DA.cal
EndChar
StartChar: u1D4DB
@ -63977,7 +63910,6 @@ SplineSet
131 47 152 38 195 38 c 0
229 38 260 44 290 53 c 1
EndSplineSet
Substitution2: "'ss01' Calligraphic Math Alphabet-1" u1D4DB.cal
EndChar
StartChar: u1D4DC
@ -64030,7 +63962,6 @@ SplineSet
1046 657 1115 699 1182 699 c 0
1193 699 1222 698 1234 691 c 1x20
EndSplineSet
Substitution2: "'ss01' Calligraphic Math Alphabet-1" u1D4DC.cal
EndChar
StartChar: u1D4DD
@ -64075,7 +64006,6 @@ SplineSet
725 618 722 498 713 375 c 0
708 307 703 229 695 175 c 1
EndSplineSet
Substitution2: "'ss01' Calligraphic Math Alphabet-1" u1D4DD.cal
EndChar
StartChar: u1D4DE
@ -64109,7 +64039,6 @@ SplineSet
72 464 295 699 560 699 c 0
668 699 743 635 749 562 c 1
EndSplineSet
Substitution2: "'ss01' Calligraphic Math Alphabet-1" u1D4DE.cal
EndChar
StartChar: u1D4DF
@ -64158,7 +64087,6 @@ SplineSet
672 699 750 683 816 654 c 1
846 671 878 686 914 698 c 1xdc
EndSplineSet
Substitution2: "'ss01' Calligraphic Math Alphabet-1" u1D4DF.cal
EndChar
StartChar: u1D4E0
@ -64203,7 +64131,6 @@ SplineSet
72 464 295 699 560 699 c 0
668 699 743 635 749 562 c 1x4c
EndSplineSet
Substitution2: "'ss01' Calligraphic Math Alphabet-1" u1D4E0.cal
EndChar
StartChar: u1D4E1
@ -64261,7 +64188,6 @@ SplineSet
720 367 742 360 760 349 c 1
811 358 857 423 857 481 c 0
EndSplineSet
Substitution2: "'ss01' Calligraphic Math Alphabet-1" u1D4E1.cal
EndChar
StartChar: u1D4E2
@ -64296,7 +64222,6 @@ SplineSet
81 251 179 306 275 306 c 0
363 306 424 257 437 136 c 1
EndSplineSet
Substitution2: "'ss01' Calligraphic Math Alphabet-1" u1D4E2.cal
EndChar
StartChar: u1D4E3
@ -64340,7 +64265,6 @@ SplineSet
331 34 403 86 490 260 c 0
585 450 618 477 718 558 c 1x98
EndSplineSet
Substitution2: "'ss01' Calligraphic Math Alphabet-1" u1D4E3.cal
EndChar
StartChar: u1D4E4
@ -64389,7 +64313,6 @@ SplineSet
769 669 l 1
904 669 l 1x8c
EndSplineSet
Substitution2: "'ss01' Calligraphic Math Alphabet-1" u1D4E4.cal
EndChar
StartChar: u1D4E5
@ -64434,7 +64357,6 @@ SplineSet
593 552 554 473 506 355 c 0
461 245 400 137 332 62 c 1
EndSplineSet
Substitution2: "'ss01' Calligraphic Math Alphabet-1" u1D4E5.cal
EndChar
StartChar: u1D4E6
@ -64486,7 +64408,6 @@ SplineSet
952 687 971 683 983 679 c 1
812 495 816 242 634 62 c 1
EndSplineSet
Substitution2: "'ss01' Calligraphic Math Alphabet-1" u1D4E6.cal
EndChar
StartChar: u1D4E7
@ -64538,7 +64459,6 @@ SplineSet
338 686 392 699 450 699 c 0
561 699 637 648 664 567 c 1xb8
EndSplineSet
Substitution2: "'ss01' Calligraphic Math Alphabet-1" u1D4E7.cal
EndChar
StartChar: u1D4E8
@ -64591,7 +64511,6 @@ SplineSet
194 -154 201 -169 223 -169 c 0
265 -169 334 -134 396 -23 c 1
EndSplineSet
Substitution2: "'ss01' Calligraphic Math Alphabet-1" u1D4E8.cal
EndChar
StartChar: u1D4E9
@ -64656,7 +64575,6 @@ SplineSet
141 46 163 37 198 37 c 0
225 37 252 43 278 56 c 1
EndSplineSet
Substitution2: "'ss01' Calligraphic Math Alphabet-1" u1D4E9.cal
EndChar
StartChar: u1D4EA
@ -71110,7 +71028,6 @@ EndChar
StartChar: uni2032.ssty2
Encoding: 1114231 -1 2055
Width: 556
VWidth: 1016
GlyphClass: 2
Flags: W
VStem: 237 194<458.133 566.373>
@ -71130,7 +71047,6 @@ EndChar
StartChar: uni2033.ssty2
Encoding: 1114232 -1 2056
Width: 875
VWidth: 1016
GlyphClass: 2
Flags: W
VStem: 237 194<458.133 566.373> 556 194<458.133 566.373>
@ -71157,7 +71073,6 @@ EndChar
StartChar: uni2034.ssty2
Encoding: 1114233 -1 2057
Width: 1194
VWidth: 1016
GlyphClass: 2
Flags: W
VStem: 237 194<458.133 566.373> 556 194<458.133 566.373> 875 194<458.133 566.373>
@ -71192,7 +71107,6 @@ EndChar
StartChar: uni2035.ssty2
Encoding: 1114234 -1 2058
Width: 556
VWidth: 1016
GlyphClass: 2
Flags: W
LayerCount: 2
@ -71211,7 +71125,6 @@ EndChar
StartChar: uni2036.ssty2
Encoding: 1114235 -1 2059
Width: 875
VWidth: 1016
GlyphClass: 2
Flags: W
LayerCount: 2
@ -71237,7 +71150,6 @@ EndChar
StartChar: uni2037.ssty2
Encoding: 1114236 -1 2060
Width: 1194
VWidth: 1016
GlyphClass: 2
Flags: W
LayerCount: 2
@ -71270,7 +71182,6 @@ EndChar
StartChar: uni2057.ssty2
Encoding: 1114237 -1 2061
Width: 1513
VWidth: 1016
GlyphClass: 2
Flags: W
VStem: 237 194<458.133 566.373> 556 194<458.133 566.373> 875 194<458.133 566.373> 1194 194<458.133 566.373>
@ -71311,7 +71222,6 @@ EndChar
StartChar: uni2032.ssty1
Encoding: 1114238 -1 2062
Width: 460
VWidth: 854
Flags: W
VStem: 195.45 164.9<394.413 486.417>
LayerCount: 2
@ -71322,7 +71232,6 @@ EndChar
StartChar: uni2033.ssty1
Encoding: 1114239 -1 2063
Width: 731
VWidth: 854
Flags: W
VStem: 195.45 164.9<394.413 486.417> 466.6 164.9<394.413 486.417>
LayerCount: 2
@ -71333,7 +71242,6 @@ EndChar
StartChar: uni2034.ssty1
Encoding: 1114240 -1 2064
Width: 1002
VWidth: 854
Flags: W
VStem: 195.45 164.9<394.413 486.417> 466.6 164.9<394.413 486.417> 737.75 164.9<394.413 486.417>
LayerCount: 2
@ -71344,7 +71252,6 @@ EndChar
StartChar: uni2035.ssty1
Encoding: 1114241 -1 2065
Width: 460
VWidth: 854
Flags: W
LayerCount: 2
Fore
@ -71354,7 +71261,6 @@ EndChar
StartChar: uni2036.ssty1
Encoding: 1114242 -1 2066
Width: 731
VWidth: 854
Flags: W
LayerCount: 2
Fore
@ -71364,7 +71270,6 @@ EndChar
StartChar: uni2037.ssty1
Encoding: 1114243 -1 2067
Width: 1002
VWidth: 854
Flags: W
LayerCount: 2
Fore
@ -71374,7 +71279,6 @@ EndChar
StartChar: uni2057.ssty1
Encoding: 1114244 -1 2068
Width: 1273
VWidth: 854
Flags: W
VStem: 195.45 164.9<394.413 486.417> 466.6 164.9<394.413 486.417> 737.75 164.9<394.413 486.417> 1008.9 164.9<394.413 486.417>
LayerCount: 2

View File

@ -0,0 +1,721 @@
languagesystem DFLT dflt;
languagesystem latn dflt;
languagesystem math dflt;
feature rtlm {
sub uni2A85 by uni2A86;
sub uni2A86 by uni2A85;
sub uni2A87 by uni2A88;
sub uni2A88 by uni2A87;
sub uni2A89 by uni2A8A;
sub uni2A8A by uni2A89;
sub uni2A8D by uni2A8E;
sub uni2A8E by uni2A8D;
sub uni2A8F by uni2A90;
sub uni2A90 by uni2A8F;
sub uni2A9D by uni2A9E;
sub uni2A9E by uni2A9D;
sub uni2A9F by uni2AA0;
sub uni2AA0 by uni2A9F;
sub uni2AB1 by uni2AB2;
sub uni2AB2 by uni2AB1;
sub uni2AB5 by uni2AB6;
sub uni2AB6 by uni2AB5;
sub uni2AB7 by uni2AB8;
sub uni2AB8 by uni2AB7;
sub uni2AB9 by uni2ABA;
sub uni2ABA by uni2AB9;
sub uni2AC7 by uni2AC8;
sub uni2AC8 by uni2AC7;
sub uni2AC9 by uni2ACA;
sub uni2ACA by uni2AC9;
sub uni2ACB by uni2ACC;
sub uni2ACC by uni2ACB;
sub u1D715 by u1D715.rtlm;
sub uni2140 by uni2140.rtlm;
sub uni2201 by uni2201.rtlm;
sub uni2202 by uni2202.rtlm;
sub uni2203 by uni2203.rtlm;
sub uni2204 by uni2204.rtlm;
sub uni2211 by uni2211.rtlm;
sub uni221A by uni221A.rtlm;
sub uni221B by uni221B.rtlm;
sub uni221C by uni221C.rtlm;
sub uni221D by uni221D.rtlm;
sub uni221F by uni221F.rtlm;
sub uni2220 by uni2220.rtlm;
sub uni2221 by uni2221.rtlm;
sub uni2222 by uni2222.rtlm;
sub uni222B by uni222B.rtlm;
sub uni222C by uni222C.rtlm;
sub uni222D by uni222D.rtlm;
sub uni222E by uni222E.rtlm;
sub uni222F by uni222F.rtlm;
sub uni2230 by uni2230.rtlm;
sub uni2231 by uni2231.rtlm;
sub uni2232 by uni2232.rtlm;
sub uni2233 by uni2233.rtlm;
sub uni2239 by uni2239.rtlm;
sub uni225F by uni225F.rtlm;
sub uni228C by uni228C.rtlm;
sub uni22A7 by uni22A7.rtlm;
sub uni22AA by uni22AA.rtlm;
sub uni22AC by uni22AC.rtlm;
sub uni22AD by uni22AD.rtlm;
sub uni22AE by uni22AE.rtlm;
sub uni22AF by uni22AF.rtlm;
sub uni22B8 by uni22B8.rtlm;
sub uni22F5 by uni22F5.rtlm;
sub uni22F8 by uni22F8.rtlm;
sub uni22F9 by uni22F9.rtlm;
sub uni22FF by uni22FF.rtlm;
sub uni27C0 by uni27C0.rtlm;
sub uni27DC by uni27DC.rtlm;
sub uni29DC by uni29DC.rtlm;
sub uni29F4 by uni29F4.rtlm;
sub uni2A0A by uni2A0A.rtlm;
sub uni2A0B by uni2A0B.rtlm;
sub uni2A0C by uni2A0C.rtlm;
sub uni2A0D by uni2A0D.rtlm;
sub uni2A0E by uni2A0E.rtlm;
sub uni2A0F by uni2A0F.rtlm;
sub uni2A10 by uni2A10.rtlm;
sub uni2A11 by uni2A11.rtlm;
sub uni2A12 by uni2A12.rtlm;
sub uni2A13 by uni2A13.rtlm;
sub uni2A14 by uni2A14.rtlm;
sub uni2A15 by uni2A15.rtlm;
sub uni2A16 by uni2A16.rtlm;
sub uni2A17 by uni2A17.rtlm;
sub uni2A18 by uni2A18.rtlm;
sub uni2A19 by uni2A19.rtlm;
sub uni2A1A by uni2A1A.rtlm;
sub uni2A1B by uni2A1B.rtlm;
sub uni2A1C by uni2A1C.rtlm;
sub uni2A20 by uni2A20.rtlm;
sub uni2A74 by uni2A74.rtlm;
sub uni2A7B by uni2A7B.rtlm;
sub uni2A7C by uni2A7C.rtlm;
sub uni2AA3 by uni2AA3.rtlm;
sub uni2AE2 by uni2AE2.rtlm;
sub uni2AE6 by uni2AE6.rtlm;
sub uni2320 by uni2320.rtlm;
sub uni2321 by uni2321.rtlm;
sub uni222B.up by uni222B.rtlm.up;
sub uni222C.up by uni222C.rtlm.up;
sub uni222D.up by uni222D.rtlm.up;
sub uni222E.up by uni222E.rtlm.up;
sub uni222F.up by uni222F.rtlm.up;
sub uni2230.up by uni2230.rtlm.up;
sub uni2231.up by uni2231.rtlm.up;
sub uni2232.up by uni2232.rtlm.up;
sub uni2233.up by uni2233.rtlm.up;
sub uni2A0B.up by uni2A0B.rtlm.up;
sub uni2A0C.up by uni2A0C.rtlm.up;
sub uni2A0D.up by uni2A0D.rtlm.up;
sub uni2A0E.up by uni2A0E.rtlm.up;
sub uni2A0F.up by uni2A0F.rtlm.up;
sub uni2A10.up by uni2A10.rtlm.up;
sub uni2A11.up by uni2A11.rtlm.up;
sub uni2A12.up by uni2A12.rtlm.up;
sub uni2A13.up by uni2A13.rtlm.up;
sub uni2A14.up by uni2A14.rtlm.up;
sub uni2A15.up by uni2A15.rtlm.up;
sub uni2A16.up by uni2A16.rtlm.up;
sub uni2A17.up by uni2A17.rtlm.up;
sub uni2A18.up by uni2A18.rtlm.up;
sub uni2A19.up by uni2A19.rtlm.up;
sub uni2A1A.up by uni2A1A.rtlm.up;
sub uni2A1B.up by uni2A1B.rtlm.up;
sub uni2A1C.up by uni2A1C.rtlm.up;
sub uni222B.up.display by uni222B.rtlm.display.up;
sub uni222C.up.display by uni222C.rtlm.display.up;
sub uni222D.up.display by uni222D.rtlm.display.up;
sub uni222E.up.display by uni222E.rtlm.display.up;
sub uni222F.up.display by uni222F.rtlm.display.up;
sub uni2230.up.display by uni2230.rtlm.display.up;
sub uni2231.up.display by uni2231.rtlm.display.up;
sub uni2232.up.display by uni2232.rtlm.display.up;
sub uni2233.up.display by uni2233.rtlm.display.up;
sub uni2A0B.up.display by uni2A0B.rtlm.display.up;
sub uni2A0C.up.display by uni2A0C.rtlm.display.up;
sub uni2A0D.up.display by uni2A0D.rtlm.display.up;
sub uni2A0E.up.display by uni2A0E.rtlm.display.up;
sub uni2A0F.up.display by uni2A0F.rtlm.display.up;
sub uni2A10.up.display by uni2A10.rtlm.display.up;
sub uni2A11.up.display by uni2A11.rtlm.display.up;
sub uni2A12.up.display by uni2A12.rtlm.display.up;
sub uni2A13.up.display by uni2A13.rtlm.display.up;
sub uni2A14.up.display by uni2A14.rtlm.display.up;
sub uni2A15.up.display by uni2A15.rtlm.display.up;
sub uni2A16.up.display by uni2A16.rtlm.display.up;
sub uni2A17.up.display by uni2A17.rtlm.display.up;
sub uni2A18.up.display by uni2A18.rtlm.display.up;
sub uni2A19.up.display by uni2A19.rtlm.display.up;
sub uni2A1A.up.display by uni2A1A.rtlm.display.up;
sub uni2A1B.up.display by uni2A1B.rtlm.display.up;
sub uni2A1C.up.display by uni2A1C.rtlm.display.up;
} rtlm;
feature dtls {
script math;
sub i by dotlessi;
sub j by uni0237;
sub u1D422 by u1D422.dtls;
sub u1D423 by u1D423.dtls;
sub u1D456 by u1D6A4;
sub u1D457 by u1D6A5;
sub u1D48A by u1D48A.dtls;
sub u1D48B by u1D48B.dtls;
sub u1D4BE by u1D4BE.dtls;
sub u1D4BF by u1D4BF.dtls;
sub u1D4F2 by u1D4F2.dtls;
sub u1D4F3 by u1D4F3.dtls;
sub u1D526 by u1D526.dtls;
sub u1D527 by u1D527.dtls;
sub u1D55A by u1D55A.dtls;
sub u1D55B by u1D55B.dtls;
sub u1D58E by u1D58E.dtls;
sub u1D58F by u1D58F.dtls;
sub u1D5C2 by u1D5C2.dtls;
sub u1D5C3 by u1D5C3.dtls;
sub u1D5F6 by u1D5F6.dtls;
sub u1D5F7 by u1D5F7.dtls;
sub u1D62A by u1D62A.dtls;
sub u1D62B by u1D62B.dtls;
sub u1D65E by u1D65E.dtls;
sub u1D65F by u1D65F.dtls;
sub u1D692 by u1D692.dtls;
sub u1D693 by u1D693.dtls;
} dtls;
feature ssty {
script math;
sub uni2032 from [uni2032.ssty1 uni2032.ssty2];
sub uni2033 from [uni2033.ssty1 uni2033.ssty2];
sub uni2034 from [uni2034.ssty1 uni2034.ssty2];
sub uni2035 from [uni2035.ssty1 uni2035.ssty2];
sub uni2036 from [uni2036.ssty1 uni2036.ssty2];
sub uni2037 from [uni2037.ssty1 uni2037.ssty2];
sub uni2057 from [uni2057.ssty1 uni2057.ssty2];
} ssty;
feature ss01 {
featureNames { name "Mathematical Calligraphic Alphabet"; };
sub uni210B by uni210B.cal;
sub uni2110 by uni2110.cal;
sub uni2112 by uni2112.cal;
sub uni211B by uni211B.cal;
sub uni212C by uni212C.cal;
sub uni2130 by uni2130.cal;
sub uni2131 by uni2131.cal;
sub uni2133 by uni2133.cal;
sub u1D49C by u1D49C.cal;
sub u1D49E by u1D49E.cal;
sub u1D49F by u1D49F.cal;
sub u1D4A2 by u1D4A2.cal;
sub u1D4A5 by u1D4A5.cal;
sub u1D4A6 by u1D4A6.cal;
sub u1D4A9 by u1D4A9.cal;
sub u1D4AA by u1D4AA.cal;
sub u1D4AB by u1D4AB.cal;
sub u1D4AC by u1D4AC.cal;
sub u1D4AE by u1D4AE.cal;
sub u1D4AF by u1D4AF.cal;
sub u1D4B0 by u1D4B0.cal;
sub u1D4B1 by u1D4B1.cal;
sub u1D4B2 by u1D4B2.cal;
sub u1D4B3 by u1D4B3.cal;
sub u1D4B4 by u1D4B4.cal;
sub u1D4B5 by u1D4B5.cal;
sub u1D4D0 by u1D4D0.cal;
sub u1D4D1 by u1D4D1.cal;
sub u1D4D2 by u1D4D2.cal;
sub u1D4D3 by u1D4D3.cal;
sub u1D4D4 by u1D4D4.cal;
sub u1D4D5 by u1D4D5.cal;
sub u1D4D6 by u1D4D6.cal;
sub u1D4D7 by u1D4D7.cal;
sub u1D4D8 by u1D4D8.cal;
sub u1D4D9 by u1D4D9.cal;
sub u1D4DA by u1D4DA.cal;
sub u1D4DB by u1D4DB.cal;
sub u1D4DC by u1D4DC.cal;
sub u1D4DD by u1D4DD.cal;
sub u1D4DE by u1D4DE.cal;
sub u1D4DF by u1D4DF.cal;
sub u1D4E0 by u1D4E0.cal;
sub u1D4E1 by u1D4E1.cal;
sub u1D4E2 by u1D4E2.cal;
sub u1D4E3 by u1D4E3.cal;
sub u1D4E4 by u1D4E4.cal;
sub u1D4E5 by u1D4E5.cal;
sub u1D4E6 by u1D4E6.cal;
sub u1D4E7 by u1D4E7.cal;
sub u1D4E8 by u1D4E8.cal;
sub u1D4E9 by u1D4E9.cal;
} ss01;
feature ss02 {
featureNames { name "Mathematical Greek Sans Serif Alphabet"; };
sub uni0391 by uni0391.ss;
sub uni0392 by uni0392.ss;
sub uni0393 by uni0393.ss;
sub uni0394 by uni0394.ss;
sub uni0395 by uni0395.ss;
sub uni0396 by uni0396.ss;
sub uni0397 by uni0397.ss;
sub uni0398 by uni0398.ss;
sub uni0399 by uni0399.ss;
sub uni039A by uni039A.ss;
sub uni039B by uni039B.ss;
sub uni039C by uni039C.ss;
sub uni039D by uni039D.ss;
sub uni039E by uni039E.ss;
sub uni039F by uni039F.ss;
sub uni03A0 by uni03A0.ss;
sub uni03A1 by uni03A1.ss;
sub uni03A3 by uni03A3.ss;
sub uni03A4 by uni03A4.ss;
sub uni03A5 by uni03A5.ss;
sub uni03A6 by uni03A6.ss;
sub uni03A7 by uni03A7.ss;
sub uni03A8 by uni03A8.ss;
sub uni03A9 by uni03A9.ss;
sub uni03B1 by uni03B1.ss;
sub uni03B2 by uni03B2.ss;
sub uni03B3 by uni03B3.ss;
sub uni03B4 by uni03B4.ss;
sub uni03B5 by uni03B5.ss;
sub uni03B6 by uni03B6.ss;
sub uni03B7 by uni03B7.ss;
sub uni03B8 by uni03B8.ss;
sub uni03B9 by uni03B9.ss;
sub uni03BA by uni03BA.ss;
sub uni03BB by uni03BB.ss;
sub uni03BC by uni03BC.ss;
sub uni03BD by uni03BD.ss;
sub uni03BE by uni03BE.ss;
sub uni03BF by uni03BF.ss;
sub uni03C0 by uni03C0.ss;
sub uni03C1 by uni03C1.ss;
sub uni03C2 by uni03C2.ss;
sub uni03C3 by uni03C3.ss;
sub uni03C4 by uni03C4.ss;
sub uni03C5 by uni03C5.ss;
sub uni03C6 by uni03C6.ss;
sub uni03C7 by uni03C7.ss;
sub uni03C8 by uni03C8.ss;
sub uni03C9 by uni03C9.ss;
sub uni03D1 by uni03D1.ss;
sub uni03D5 by uni03D5.ss;
sub uni03D6 by uni03D6.ss;
sub uni03F1 by uni03F1.ss;
sub uni03F4 by uni03F4.ss;
sub uni03F5 by uni03F5.ss;
sub uni2202 by uni2202.ss;
sub u1D6E2 by u1D6E2.ss;
sub u1D6E3 by u1D6E3.ss;
sub u1D6E4 by u1D6E4.ss;
sub u1D6E5 by u1D6E5.ss;
sub u1D6E6 by u1D6E6.ss;
sub u1D6E7 by u1D6E7.ss;
sub u1D6E8 by u1D6E8.ss;
sub u1D6E9 by u1D6E9.ss;
sub u1D6EA by u1D6EA.ss;
sub u1D6EB by u1D6EB.ss;
sub u1D6EC by u1D6EC.ss;
sub u1D6ED by u1D6ED.ss;
sub u1D6EE by u1D6EE.ss;
sub u1D6EF by u1D6EF.ss;
sub u1D6F0 by u1D6F0.ss;
sub u1D6F1 by u1D6F1.ss;
sub u1D6F2 by u1D6F2.ss;
sub u1D6F3 by u1D6F3.ss;
sub u1D6F4 by u1D6F4.ss;
sub u1D6F5 by u1D6F5.ss;
sub u1D6F6 by u1D6F6.ss;
sub u1D6F7 by u1D6F7.ss;
sub u1D6F8 by u1D6F8.ss;
sub u1D6F9 by u1D6F9.ss;
sub u1D6FA by u1D6FA.ss;
sub u1D6FC by u1D6FC.ss;
sub u1D6FD by u1D6FD.ss;
sub u1D6FE by u1D6FE.ss;
sub u1D6FF by u1D6FF.ss;
sub u1D700 by u1D700.ss;
sub u1D701 by u1D701.ss;
sub u1D702 by u1D702.ss;
sub u1D703 by u1D703.ss;
sub u1D704 by u1D704.ss;
sub u1D705 by u1D705.ss;
sub u1D706 by u1D706.ss;
sub u1D707 by u1D707.ss;
sub u1D708 by u1D708.ss;
sub u1D709 by u1D709.ss;
sub u1D70A by u1D70A.ss;
sub u1D70B by u1D70B.ss;
sub u1D70C by u1D70C.ss;
sub u1D70D by u1D70D.ss;
sub u1D70E by u1D70E.ss;
sub u1D70F by u1D70F.ss;
sub u1D710 by u1D710.ss;
sub u1D711 by u1D711.ss;
sub u1D712 by u1D712.ss;
sub u1D713 by u1D713.ss;
sub u1D714 by u1D714.ss;
sub u1D715 by u1D715.ss;
sub u1D716 by u1D716.ss;
sub u1D717 by u1D717.ss;
sub u1D718 by u1D71A.ss;
sub u1D719 by u1D719.ss;
} ss02;
feature ss03 {
featureNames { name "Mathematical Italic Sans Serif Digits"; };
sub u1D7E2 by u1D7E2.ss;
sub u1D7E3 by u1D7E3.ss;
sub u1D7E4 by u1D7E4.ss;
sub u1D7E5 by u1D7E5.ss;
sub u1D7E6 by u1D7E6.ss;
sub u1D7E7 by u1D7E7.ss;
sub u1D7E8 by u1D7E8.ss;
sub u1D7E9 by u1D7E9.ss;
sub u1D7EA by u1D7EA.ss;
sub u1D7EB by u1D7EB.ss;
sub u1D7EC by u1D7EC.ss;
sub u1D7ED by u1D7ED.ss;
sub u1D7EE by u1D7EE.ss;
sub u1D7EF by u1D7EF.ss;
sub u1D7F0 by u1D7F0.ss;
sub u1D7F1 by u1D7F1.ss;
sub u1D7F2 by u1D7F2.ss;
sub u1D7F3 by u1D7F3.ss;
sub u1D7F4 by u1D7F4.ss;
sub u1D7F5 by u1D7F5.ss;
} ss03;
feature ss04 {
featureNames { name "Mathematical Bold Monospace Digits"; };
sub u1D7F6 by u1D7F6.bf;
sub u1D7F7 by u1D7F7.bf;
sub u1D7F8 by u1D7F8.bf;
sub u1D7F9 by u1D7F9.bf;
sub u1D7FA by u1D7FA.bf;
sub u1D7FB by u1D7FB.bf;
sub u1D7FC by u1D7FC.bf;
sub u1D7FD by u1D7FD.bf;
sub u1D7FE by u1D7FE.bf;
sub u1D7FF by u1D7FF.bf;
} ss04;
feature ss05 {
featureNames { name "Mathematical Bold Double-Struck Alphabet"; };
sub uni2102 by uni2102.bf;
sub uni210D by uni210D.bf;
sub uni2115 by uni2115.bf;
sub uni2119 by uni2119.bf;
sub uni211A by uni211A.bf;
sub uni211D by uni211D.bf;
sub uni2124 by uni2124.bf;
sub u1D538 by u1D538.bf;
sub u1D539 by u1D539.bf;
sub u1D53B by u1D53B.bf;
sub u1D53C by u1D53C.bf;
sub u1D53D by u1D53D.bf;
sub u1D53E by u1D53E.bf;
sub u1D540 by u1D540.bf;
sub u1D541 by u1D541.bf;
sub u1D542 by u1D542.bf;
sub u1D543 by u1D543.bf;
sub u1D544 by u1D544.bf;
sub u1D546 by u1D546.bf;
sub u1D54A by u1D54A.bf;
sub u1D54B by u1D54B.bf;
sub u1D54C by u1D54C.bf;
sub u1D54D by u1D54D.bf;
sub u1D54E by u1D54E.bf;
sub u1D54F by u1D54F.bf;
sub u1D550 by u1D550.bf;
sub u1D552 by u1D552.bf;
sub u1D553 by u1D553.bf;
sub u1D554 by u1D554.bf;
sub u1D555 by u1D555.bf;
sub u1D556 by u1D556.bf;
sub u1D557 by u1D557.bf;
sub u1D558 by u1D558.bf;
sub u1D559 by u1D559.bf;
sub u1D55A by u1D55A.bf;
sub u1D55B by u1D55B.bf;
sub u1D55C by u1D55C.bf;
sub u1D55D by u1D55D.bf;
sub u1D55E by u1D55E.bf;
sub u1D55F by u1D55F.bf;
sub u1D560 by u1D560.bf;
sub u1D561 by u1D561.bf;
sub u1D562 by u1D562.bf;
sub u1D563 by u1D563.bf;
sub u1D564 by u1D564.bf;
sub u1D565 by u1D565.bf;
sub u1D566 by u1D566.bf;
sub u1D567 by u1D567.bf;
sub u1D568 by u1D568.bf;
sub u1D569 by u1D569.bf;
sub u1D56A by u1D56A.bf;
sub u1D56B by u1D56B.bf;
} ss05;
feature ss06 {
featureNames { name "Mathematical Italic Double-Struck Alphabet"; };
sub uni2102 by uni2102.it;
sub uni210D by uni210D.it;
sub uni2115 by uni2115.it;
sub uni2119 by uni2119.it;
sub uni211A by uni211A.it;
sub uni211D by uni211D.it;
sub uni2124 by uni2124.it;
sub u1D538 by u1D538.it;
sub u1D539 by u1D539.it;
sub u1D53B by u1D53B.it;
sub u1D53C by u1D53C.it;
sub u1D53D by u1D53D.it;
sub u1D53E by u1D53E.it;
sub u1D540 by u1D540.it;
sub u1D541 by u1D541.it;
sub u1D542 by u1D542.it;
sub u1D543 by u1D543.it;
sub u1D544 by u1D544.it;
sub u1D546 by u1D546.it;
sub u1D54A by u1D54A.it;
sub u1D54B by u1D54B.it;
sub u1D54C by u1D54C.it;
sub u1D54D by u1D54D.it;
sub u1D54E by u1D54E.it;
sub u1D54F by u1D54F.it;
sub u1D550 by u1D550.it;
sub u1D552 by u1D552.it;
sub u1D553 by u1D553.it;
sub u1D554 by u1D554.it;
sub u1D555 by u1D555.it;
sub u1D556 by u1D556.it;
sub u1D557 by u1D557.it;
sub u1D558 by u1D558.it;
sub u1D559 by u1D559.it;
sub u1D55A by u1D55A.it;
sub u1D55B by u1D55B.it;
sub u1D55C by u1D55C.it;
sub u1D55D by u1D55D.it;
sub u1D55E by u1D55E.it;
sub u1D55F by u1D55F.it;
sub u1D560 by u1D560.it;
sub u1D561 by u1D561.it;
sub u1D562 by u1D562.it;
sub u1D563 by u1D563.it;
sub u1D564 by u1D564.it;
sub u1D565 by u1D565.it;
sub u1D566 by u1D566.it;
sub u1D567 by u1D567.it;
sub u1D568 by u1D568.it;
sub u1D569 by u1D569.it;
sub u1D56A by u1D56A.it;
sub u1D56B by u1D56B.it;
} ss06;
feature ss07 {
featureNames { name "Mathematical Bold Italic Double-Struck Alphabet"; };
sub uni2102 by uni2102.bi;
sub uni210D by uni210D.bi;
sub uni2115 by uni2115.bi;
sub uni2119 by uni2119.bi;
sub uni211A by uni211A.bi;
sub uni211D by uni211D.bi;
sub uni2124 by uni2124.bi;
sub u1D538 by u1D538.bi;
sub u1D539 by u1D539.bi;
sub u1D53B by u1D53B.bi;
sub u1D53C by u1D53C.bi;
sub u1D53D by u1D53D.bi;
sub u1D53E by u1D53E.bi;
sub u1D540 by u1D540.bi;
sub u1D541 by u1D541.bi;
sub u1D542 by u1D542.bi;
sub u1D543 by u1D543.bi;
sub u1D544 by u1D544.bi;
sub u1D546 by u1D546.bi;
sub u1D54A by u1D54A.bi;
sub u1D54B by u1D54B.bi;
sub u1D54C by u1D54C.bi;
sub u1D54D by u1D54D.bi;
sub u1D54E by u1D54E.bi;
sub u1D54F by u1D54F.bi;
sub u1D550 by u1D550.bi;
sub u1D552 by u1D552.bi;
sub u1D553 by u1D553.bi;
sub u1D554 by u1D554.bi;
sub u1D555 by u1D555.bi;
sub u1D556 by u1D556.bi;
sub u1D557 by u1D557.bi;
sub u1D558 by u1D558.bi;
sub u1D559 by u1D559.bi;
sub u1D55A by u1D55A.bi;
sub u1D55B by u1D55B.bi;
sub u1D55C by u1D55C.bi;
sub u1D55D by u1D55D.bi;
sub u1D55E by u1D55E.bi;
sub u1D55F by u1D55F.bi;
sub u1D560 by u1D560.bi;
sub u1D561 by u1D561.bi;
sub u1D562 by u1D562.bi;
sub u1D563 by u1D563.bi;
sub u1D564 by u1D564.bi;
sub u1D565 by u1D565.bi;
sub u1D566 by u1D566.bi;
sub u1D567 by u1D567.bi;
sub u1D568 by u1D568.bi;
sub u1D569 by u1D569.bi;
sub u1D56A by u1D56A.bi;
sub u1D56B by u1D56B.bi;
} ss07;
feature ss08 {
featureNames { name "Upright Integrals"; };
sub uni222B by uni222B.up;
sub uni222C by uni222C.up;
sub uni222D by uni222D.up;
sub uni222E by uni222E.up;
sub uni222F by uni222F.up;
sub uni2230 by uni2230.up;
sub uni2231 by uni2231.up;
sub uni2232 by uni2232.up;
sub uni2233 by uni2233.up;
sub uni2A0B by uni2A0B.up;
sub uni2A0C by uni2A0C.up;
sub uni2A0D by uni2A0D.up;
sub uni2A0E by uni2A0E.up;
sub uni2A0F by uni2A0F.up;
sub uni2A10 by uni2A10.up;
sub uni2A11 by uni2A11.up;
sub uni2A12 by uni2A12.up;
sub uni2A13 by uni2A13.up;
sub uni2A14 by uni2A14.up;
sub uni2A15 by uni2A15.up;
sub uni2A16 by uni2A16.up;
sub uni2A17 by uni2A17.up;
sub uni2A18 by uni2A18.up;
sub uni2A19 by uni2A19.up;
sub uni2A1A by uni2A1A.up;
sub uni2A1B by uni2A1B.up;
sub uni2A1C by uni2A1C.up;
sub uni222B.rtlm by uni222B.rtlm.up;
sub uni222C.rtlm by uni222C.rtlm.up;
sub uni222D.rtlm by uni222D.rtlm.up;
sub uni222E.rtlm by uni222E.rtlm.up;
sub uni222F.rtlm by uni222F.rtlm.up;
sub uni2230.rtlm by uni2230.rtlm.up;
sub uni2231.rtlm by uni2231.rtlm.up;
sub uni2232.rtlm by uni2232.rtlm.up;
sub uni2233.rtlm by uni2233.rtlm.up;
sub uni2A0B.rtlm by uni2A0B.rtlm.up;
sub uni2A0C.rtlm by uni2A0C.rtlm.up;
sub uni2A0D.rtlm by uni2A0D.rtlm.up;
sub uni2A0E.rtlm by uni2A0E.rtlm.up;
sub uni2A0F.rtlm by uni2A0F.rtlm.up;
sub uni2A10.rtlm by uni2A10.rtlm.up;
sub uni2A11.rtlm by uni2A11.rtlm.up;
sub uni2A12.rtlm by uni2A12.rtlm.up;
sub uni2A13.rtlm by uni2A13.rtlm.up;
sub uni2A14.rtlm by uni2A14.rtlm.up;
sub uni2A15.rtlm by uni2A15.rtlm.up;
sub uni2A16.rtlm by uni2A16.rtlm.up;
sub uni2A17.rtlm by uni2A17.rtlm.up;
sub uni2A18.rtlm by uni2A18.rtlm.up;
sub uni2A19.rtlm by uni2A19.rtlm.up;
sub uni2A1A.rtlm by uni2A1A.rtlm.up;
sub uni2A1B.rtlm by uni2A1B.rtlm.up;
sub uni2A1C.rtlm by uni2A1C.rtlm.up;
sub uni222B.rtlm.display by uni222B.rtlm.display.up;
sub uni222C.rtlm.display by uni222C.rtlm.display.up;
sub uni222D.rtlm.display by uni222D.rtlm.display.up;
sub uni222E.rtlm.display by uni222E.rtlm.display.up;
sub uni222F.rtlm.display by uni222F.rtlm.display.up;
sub uni2230.rtlm.display by uni2230.rtlm.display.up;
sub uni2231.rtlm.display by uni2231.rtlm.display.up;
sub uni2232.rtlm.display by uni2232.rtlm.display.up;
sub uni2233.rtlm.display by uni2233.rtlm.display.up;
sub uni2A0B.rtlm.display by uni2A0B.rtlm.display.up;
sub uni2A0C.rtlm.display by uni2A0C.rtlm.display.up;
sub uni2A0D.rtlm.display by uni2A0D.rtlm.display.up;
sub uni2A0E.rtlm.display by uni2A0E.rtlm.display.up;
sub uni2A0F.rtlm.display by uni2A0F.rtlm.display.up;
sub uni2A10.rtlm.display by uni2A10.rtlm.display.up;
sub uni2A11.rtlm.display by uni2A11.rtlm.display.up;
sub uni2A12.rtlm.display by uni2A12.rtlm.display.up;
sub uni2A13.rtlm.display by uni2A13.rtlm.display.up;
sub uni2A14.rtlm.display by uni2A14.rtlm.display.up;
sub uni2A15.rtlm.display by uni2A15.rtlm.display.up;
sub uni2A16.rtlm.display by uni2A16.rtlm.display.up;
sub uni2A17.rtlm.display by uni2A17.rtlm.display.up;
sub uni2A18.rtlm.display by uni2A18.rtlm.display.up;
sub uni2A19.rtlm.display by uni2A19.rtlm.display.up;
sub uni2A1A.rtlm.display by uni2A1A.rtlm.display.up;
sub uni2A1B.rtlm.display by uni2A1B.rtlm.display.up;
sub uni2A1C.rtlm.display by uni2A1C.rtlm.display.up;
} ss08;
feature ss09 {
featureNames { name "Negated Symbols With Vertical Stroke"; };
sub uni0338 by uni20D2;
sub uni2209 by uni2209.ss09;
sub uni220C by uni220C.ss09;
sub uni2241 by uni2241.ss09;
sub uni2244 by uni2244.ss09;
sub uni2247 by uni2247.ss09;
sub uni2260 by uni2260.ss09;
sub uni2262 by uni2262.ss09;
sub uni2268 by uni2268.ss09;
sub uni2269 by uni2269.ss09;
sub uni226D by uni226D.ss09;
sub uni226E by uni226E.ss09;
sub uni226F by uni226F.ss09;
sub uni2270 by uni2270.ss09;
sub uni2271 by uni2271.ss09;
sub uni2274 by uni2274.ss09;
sub uni2275 by uni2275.ss09;
sub uni2278 by uni2278.ss09;
sub uni2279 by uni2279.ss09;
sub uni2280 by uni2280.ss09;
sub uni2281 by uni2281.ss09;
sub uni2284 by uni2284.ss09;
sub uni2285 by uni2285.ss09;
sub uni2288 by uni2288.ss09;
sub uni2289 by uni2289.ss09;
sub uni22E0 by uni22E0.ss09;
sub uni22E1 by uni22E1.ss09;
sub uni22EC by uni22EC.ss09;
sub uni22ED by uni22ED.ss09;
} ss09;
feature ss10 {
featureNames { name "Plank constant over two pi, with a bar"; };
sub uni210F by uni210F.bar;
} ss10;
feature cv01 {
featureNames { name "Alternate Arabic math symbols"; };
sub u1EE00 from [u1EE00.alt0];
sub u1EE03 from [u1EE03.alt0];
sub u1EE0D from [u1EE0D.alt0];
sub u1EE13 from [u1EE13.alt0];
} cv01;

View File

@ -0,0 +1,33 @@
feature frac {
sub one fraction two by onehalf;
sub one fraction three by onethird;
sub one fraction four by onequarter;
sub one fraction five by uni2155;
sub one fraction six by uni2159;
sub one fraction eight by oneeighth;
sub two fraction three by twothirds;
sub two fraction five by uni2156;
sub three fraction four by threequarters;
sub three fraction five by uni2157;
sub three fraction eight by threeeighths;
sub four fraction five by uni2158;
sub five fraction six by uni215A;
sub five fraction eight by fiveeighths;
sub seven fraction eight by seveneighths;
sub one slash two by onehalf;
sub one slash three by onethird;
sub one slash four by onequarter;
sub one slash five by uni2155;
sub one slash six by uni2159;
sub one slash eight by oneeighth;
sub two slash three by twothirds;
sub two slash five by uni2156;
sub three slash four by threequarters;
sub three slash five by uni2157;
sub three slash eight by threeeighths;
sub four slash five by uni2158;
sub five slash six by uni215A;
sub five slash eight by fiveeighths;
sub seven slash eight by seveneighths;
} frac;

View File

@ -0,0 +1,25 @@
feature numr {
sub zero by zero.numr;
sub one by one.numr;
sub two by two.numr;
sub three by three.numr;
sub four by four.numr;
sub five by five.numr;
sub six by six.numr;
sub seven by seven.numr;
sub eight by eight.numr;
sub nine by nine.numr;
} numr;
feature dnom {
sub zero by zero.dnom;
sub one by one.dnom;
sub two by two.dnom;
sub three by three.dnom;
sub four by four.dnom;
sub five by five.dnom;
sub six by six.dnom;
sub seven by seven.dnom;
sub eight by eight.dnom;
sub nine by nine.dnom;
} dnom;

View File

@ -3,66 +3,6 @@ languagesystem latn dflt;
languagesystem cyrl dflt;
languagesystem grek dflt;
feature frac {
sub one fraction two by onehalf;
sub one fraction three by onethird;
sub one fraction four by onequarter;
sub one fraction five by uni2155;
sub one fraction six by uni2159;
sub one fraction eight by oneeighth;
sub two fraction three by twothirds;
sub two fraction five by uni2156;
sub three fraction four by threequarters;
sub three fraction five by uni2157;
sub three fraction eight by threeeighths;
sub four fraction five by uni2158;
sub five fraction six by uni215A;
sub five fraction eight by fiveeighths;
sub seven fraction eight by seveneighths;
sub one slash two by onehalf;
sub one slash three by onethird;
sub one slash four by onequarter;
sub one slash five by uni2155;
sub one slash six by uni2159;
sub one slash eight by oneeighth;
sub two slash three by twothirds;
sub two slash five by uni2156;
sub three slash four by threequarters;
sub three slash five by uni2157;
sub three slash eight by threeeighths;
sub four slash five by uni2158;
sub five slash six by uni215A;
sub five slash eight by fiveeighths;
sub seven slash eight by seveneighths;
} frac;
feature numr {
sub zero by zero.numr;
sub one by one.numr;
sub two by two.numr;
sub three by three.numr;
sub four by four.numr;
sub five by five.numr;
sub six by six.numr;
sub seven by seven.numr;
sub eight by eight.numr;
sub nine by nine.numr;
} numr;
feature dnom {
sub zero by zero.dnom;
sub one by one.dnom;
sub two by two.dnom;
sub three by three.dnom;
sub four by four.dnom;
sub five by five.dnom;
sub six by six.dnom;
sub seven by seven.dnom;
sub eight by eight.dnom;
sub nine by nine.dnom;
} dnom;
feature onum {
sub zero by zero.onum;
sub one by one.onum;

View File

@ -0,0 +1,70 @@
\documentclass{article}
\usepackage{unicode-math}
\setmathfont{xits-math.otf}
\begin{document}
\[
\mathrm{L^2} \quad \mathrm{L^2_2} \qquad \textstyle \mathrm{L^2} \quad \mathrm{L^2_2}
\]
\[
\mathrm{A^2} \quad \mathrm{A^2_2} \qquad \textstyle \mathrm{A^2} \quad \mathrm{A^2_2}
\]
\[
\mathrm{F^2} \quad \mathrm{F^2_2} \qquad \textstyle \mathrm{F^2} \quad \mathrm{F^2_2}
\]
\[
\mathrm{V^2} \quad \mathrm{V^2_2} \qquad \textstyle \mathrm{V^2} \quad \mathrm{V^2_2}
\]
\[
\mathrm{W^2} \quad \mathrm{W^2_2} \qquad \textstyle \mathrm{W^2} \quad \mathrm{W^2_2}
\]
\[
\mathrm{P^2} \quad \mathrm{P^2_2} \qquad \textstyle \mathrm{P^2} \quad \mathrm{P^2_2}
\]
\[
\mathrm{T^2} \quad \mathrm{T^2_2} \qquad \textstyle \mathrm{T^2} \quad \mathrm{T^2_2}
\]
\[
\mathrm{\Gamma^2} \quad \mathrm{\Gamma^2_2} \qquad \textstyle \mathrm{\Gamma^2} \quad \mathrm{\Gamma^2_2}
\]
\[
\mathbf{L^2} \quad \mathbf{L^2_2} \qquad \textstyle \mathbf{L^2} \quad \mathbf{L^2_2}
\]
\[
\mathbf{A^2} \quad \mathbf{A^2_2} \qquad \textstyle \mathbf{A^2} \quad \mathbf{A^2_2}
\]
\[
\mathbf{F^2} \quad \mathbf{F^2_2} \qquad \textstyle \mathbf{F^2} \quad \mathbf{F^2_2}
\]
\[
\mathbf{V^2} \quad \mathbf{V^2_2} \qquad \textstyle \mathbf{V^2} \quad \mathbf{V^2_2}
\]
\[
\mathbf{W^2} \quad \mathbf{W^2_2} \qquad \textstyle \mathbf{W^2} \quad \mathbf{W^2_2}
\]
\[
\mathbf{P^2} \quad \mathbf{P^2_2} \qquad \textstyle \mathbf{P^2} \quad \mathbf{P^2_2}
\]
\[
\mathbf{T^2} \quad \mathbf{T^2_2} \qquad \textstyle \mathbf{T^2} \quad \mathbf{T^2_2}
\]
\[
\mathbf{\Gamma^2} \quad \mathbf{\Gamma^2_2} \qquad \textstyle \mathbf{\Gamma^2} \quad \mathbf{\Gamma^2_2}
\]
\end{document}

View File

@ -0,0 +1,32 @@
\documentclass{minimal}
\usepackage{unicode-math}
\setmathfont{XITS Math}
\begin{document}
\Umathcode"FE00="7"0"FE00
\halign{# && #\cr
$\char"2229$ & $\char"2229\char"FE00$\cr
$\char"222A$ & $\char"222A\char"FE00$\cr
$\char"2268$ & $\char"2268\char"FE00$\cr
$\char"2269$ & $\char"2269\char"FE00$\cr
$\char"2272$ & $\char"2272\char"FE00$\cr
$\char"2273$ & $\char"2273\char"FE00$\cr
$\char"228A$ & $\char"228A\char"FE00$\cr
$\char"228B$ & $\char"228B\char"FE00$\cr
$\char"2293$ & $\char"2293\char"FE00$\cr
$\char"2294$ & $\char"2294\char"FE00$\cr
$\char"2295$ & $\char"2295\char"FE00$\cr
$\char"2297$ & $\char"2297\char"FE00$\cr
$\char"229C$ & $\char"229C\char"FE00$\cr
$\char"22DA$ & $\char"22DA\char"FE00$\cr
$\char"22DB$ & $\char"22DB\char"FE00$\cr
$\char"2A3C$ & $\char"2A3C\char"FE00$\cr
$\char"2A3D$ & $\char"2A3D\char"FE00$\cr
$\char"2A9D$ & $\char"2A9D\char"FE00$\cr
$\char"2A9E$ & $\char"2A9E\char"FE00$\cr
$\char"2AAC$ & $\char"2AAC\char"FE00$\cr
$\char"2AAD$ & $\char"2AAD\char"FE00$\cr
$\char"2ACB$ & $\char"2ACB\char"FE00$\cr
$\char"2ACC$ & $\char"2ACC\char"FE00$\cr
}
\end{document}

View File

@ -1,13 +0,0 @@
import sys
try:
from sortsmill import ffcompat as fontforge
except ImportError:
import fontforge
font = fontforge.open(sys.argv[1])
if len(sys.argv) > 4:
font.mergeFeature(sys.argv[4])
font.version = sys.argv[3]
font.generate(sys.argv[2], flags=("round", "opentype"))

View File

@ -0,0 +1,49 @@
import sys
import fontforge
amiri = fontforge.open(sys.argv[1])
xits = fontforge.open(sys.argv[2])
amiri.em = 1000
amiri.layers[1].is_quadratic = 0
amiri.selection.all()
amiri.unlinkReferences()
names = []
alts = []
for aglyph in amiri.glyphs():
u = aglyph.unicode
if (u in range(0x1EE00, 0x1EF00) or
u in range(0x0660, 0x066E) or
u in range(0x06F0, 0x06FA) or
u in range(0x0608, 0x060B) or
u == 0x060C):
names.append(aglyph.name)
for aglyph in amiri.glyphs():
for name in names:
if aglyph.name != name and aglyph.name.startswith(name + ".alt"):
alts.append(aglyph.name)
for name in names + alts:
aglyph = amiri[name]
if aglyph.name not in xits:
xits.createChar(aglyph.unicode, aglyph.name)
xglyph = xits[aglyph.name]
aglyph.draw(xglyph.glyphPen())
xglyph.width = aglyph.width
xglyph.round()
xglyph.autoHint()
for name in alts:
base, ext = name.split(".")
if ext.startswith("alt"):
xits[base].addPosSub("'cv01' Alternate Arabic Math symbols-1", name)
elif ext.startswith("display"):
xits[base].verticalVariants = (xits[base], xits[name])
else:
print "Unknown alternate glyph:", name
xits.save()

View File

@ -39,19 +39,19 @@ for fontfile in sys.argv[3:-1]:
if f:
found.append((name, (t,f)))
fullname = str(font['name'].getName(4, 1, 0).string, encoding='ascii')
coverage = ""
coverage += "* %s:\n" %fullname
fullname = font['name'].getName(4, 3, 1)
coverage = []
coverage.append("* %s:" % fullname)
for f in found:
for b in blocks:
if b[0] == f[0]:
name = f[0]
start, end = b[1]
total, present = f[1]
name, (total, present) = f
_, (start, end) = b
percent = present / total * 100
coverage += " %s (U+%s-%s): %s/%s (%.2f%%)\n" %(name, start, end, present, total, percent)
coverage.append(" %s (U+%s-%s): %s/%s (%.2f%%)" % (
name, start, end, present, total, percent))
log = log.replace("%%{%s}" %fullname, coverage)
log = log.replace("%%{%s}" % fullname, "\n".join(coverage))
outfile = open(sys.argv[-1], "w")
outfile.write(log)

View File

@ -0,0 +1,65 @@
import argparse
import os
import fontforge
from fontTools.ttLib import TTFont
def postProcess(args):
font = TTFont(args.output)
os2 = font["OS/2"]
# FontForge sets this to ord(' ') for OTF fonts, 0 for TTF fonts, we want
# to keep things consistent.
os2.usDefaultChar = 0
# Filter-out useless Macintosh names
font["name"].names = [n for n in font["name"].names if n.platformID != 1]
# https://github.com/fontforge/fontforge/pull/3235
# fontDirectionHint is deprecated and must be set to 2
font["head"].fontDirectionHint = 2
# unset bits 6..10
font["head"].flags &= ~0x7e0
# Drop useless table with timestamp
if "FFTM" in font:
del font["FFTM"]
font.save(args.output)
def makeFont(args):
font = fontforge.open(args.input)
for glyph in font.glyphs():
glyph.unlinkRmOvrlpSave = True
if args.features:
font.mergeFeature(args.features)
if os.environ.get("SOURCE_DATE_EPOCH") is None:
os.environ["SOURCE_DATE_EPOCH"] = "0"
font.appendSFNTName("English (US)", "UniqueID", "%s;%s;%s" % (args.version,
font.os2_vendor, font.fontname))
font.version = args.version
font.generate(args.output, flags=("round", "opentype"))
postProcess(args)
def main():
parser = argparse.ArgumentParser(description="Create web fonts.")
parser.add_argument("input", help="input font file name")
parser.add_argument("output", help="output font file name")
parser.add_argument("--version", help="font version", required=True)
parser.add_argument("--features", help="font features file name")
args = parser.parse_args()
makeFont(args)
if __name__ == "__main__":
main()

View File

@ -0,0 +1,25 @@
import argparse
import os
from fontTools.ttLib import TTFont
def makeWeb(args):
font = TTFont(args.file)
base, ext = os.path.splitext(args.file)
font.flavor = "woff"
font.save(os.path.join(args.dir, base + ".woff"))
font.close()
def main():
parser = argparse.ArgumentParser(description="Create web fonts.")
parser.add_argument("file", help="input font to process")
parser.add_argument("dir", help="output directory to write fonts to")
args = parser.parse_args()
makeWeb(args)
if __name__ == "__main__":
main()